“Disorder in the American Courts”

2010 February 24
by Mike Vitale

My friend Tina forwarded this to me this morning, and I thought that this was absolutely necessary to share:

These are from a book called “Disorder in the American Courts,” and are things people actually said in court, word for word, taken down and now published by court reporters that had the torment of staying calm while these exchanges were actually taking place.

ATTORNEY: What gear were you in at the moment of the impact?
WITNESS: Gucci sweats and Reeboks.
________________________________________
ATTORNEY: Are you sexually active?
WITNESS: No, I just lie there.
___________________________________________

ATTORNEY: This myasthenia gravis, does it affect your memory at all?
WITNESS: Yes .
ATTORNEY: And in what ways does it affect your memory?
WITNESS: I forget.
ATTORNEY: You forget? Can you give us an example of something you forgot?
__________________________________________

ATTORNEY: Now doctor, isn’t it true that when a person dies in his sleep, he doesn’t know about it until the next morning?
WITNESS: Did you actually pass the bar exam?
____________________________________

ATTORNEY: The youngest son, the twenty-year-old, how old is he?
WITNESS: He’s twenty, much like your IQ.
____________________________ _______________

ATTORNEY: Were you present when your picture was taken?
WITNESS: Are you shitting me?
________________________________________
ATTORNEY: So the date of conception (of the baby) was August 8th?
WITNESS: Yes.
ATTORNEY: And what were you doing at that time?
WITNESS: Getting laid
___________________________________________

ATTORNEY: She had three children, right?
WITNESS: Yes.
ATTORNEY: How many were boys?
WITNESS: None.
ATTORNEY: Were there any girls?
WITNESS: Your Honour, I think I need a different attorney. Can I get a new attorney?
__________________________________ _________

ATTORNEY: How was your first marriage terminated?
WITNESS: By death.
ATTORNEY: And by whose death was it terminated?
WITNESS: Take a guess.
____________________________________________

ATTORNEY: Can you describe the individual?
WITNESS: He was about medium height and had a beard.
ATTORNEY: Was this a male or a female?
WITNESS: Unless the circus was in town, I’m going with male.
_____ _______________________________

ATTORNEY: Is your appearance here this morning pursuant to a deposition notice which I sent to your attorney?
WITNESS: No, this is how I dress when I go to work.
_____________________________________

ATTORNEY: Doctor, how many of your autopsies have you performed on dead people?
WITNESS: All of them. The live ones put up too much of a fight.
________________________________________
ATTORNEY: ALL your responses MUST be oral, OK? What school did you go to?
WITNESS: Oral.
_________________________________________

ATTORNEY: Do you recall the time that you examined the body?
WIT NESS : The autopsy started around 8:30 p.m.
ATTORNEY: And Mr. Denton was dead at the time?
WITNESS: I believe so. If not, he was by the time I finished.
___________________________________________

ATTORNEY: Are you qualified to give a urine sample?
WITNESS: Are you qualified to ask that question?
_____________________________________

And the best for last:

ATTORNEY: Doctor, before you performed the autopsy, did you check for a pulse?
WITNESS: No.
ATTORNEY: Did you check for blood pressure?
WITNESS: No.
ATTORNEY: Did you check for breathing?
WITNESS: No.
ATTORNEY: So, then it is possible that the patient was alive when you began the autopsy?
WITNESS: No.
ATTORNEY: How can you be so sure, Doctor?
WITNESS: Because his brain was sitting on my desk in a jar.
ATTORNEY: I see, but could the patient have still been alive, nevertheless?
WITNESS: Yes, it is possible that he could have been alive and practicing law.

Orange County Music Awards Showcase

2010 February 9
by Mike Vitale

Hey Everybody,

So, like a complete idiot, I didn’t snap any shots from the stage when I played the first round of the Best Acoustic Showcase for the Orange County Music Awards, however, luckily, some people with professional camera equipment did.  So through the magic of my blog, I thought I would share a couple of shots from January 26th at The Gypsy Den in Santa Ana.  I can honestly say that every musician killed that night and it was an absolute pleasure sharing the stage with my friends Kurt Hunter, Brittany Bontempo, and Marc B. It was also awesome to make new friends The Vacuum Bell, I hate you just kidding, and some of the members of Canvas.

For more coverage of this year’s Orange County Music Awards, you can visit the following links:

http://www.ocmusicawards.com/
http://www.ocmusicawards.com/blog/

Thank you to everyone that came out—I think the OCMA’s estimated that there was around 225 people that came out to support that night!  I hope you all had fun.

Can you find yourself in some of the crowd shots? It’s like “Where’s Waldo,” but without the stripped shirt.

- Mike

New Spring Tour with Cory Joseph—help us name it!

2010 February 8
by Mike Vitale

Hey Everybody,

So, I’m in the process of a booking a spring tour with Cory Joseph in late April/early May along the West Coast!  We are going to be playing college/university campuses, house shows, venues, etc..

We are always looking for help in terms of places to visit and play, so if you are interested in helping us out by setting up any of the above mentioned, nothing is out of the question.  Leave a comment below and we’ll get back to you right quick.

However, more importantly, we need a name to christen our tour.  Here are some suggestions that Cory and I both came up with this morning:

a.)  Two Guys, one cup [this seemed a bit gross to me].

b.)  The Italian Stallion Tour

c.)  Two guys, one Mike.

What do you think?  Leave a comment below with some suggestions and we’ll pick the best one and carry it with us as our shining moniker as we travel the West Coast like a bunch of gypsies.  Bring it on.  Ready… go!

bedroomCLASSICS: Latchkey Kid

2010 February 6
by Mike Vitale

Welcome to my first installment of bedroomCLASSICS: This is a brand new song called “Latchkey Kid” and it is going to be on my next album which I am currently in the process of writing. I debuted it at The 2010 Orange County Music Awards Showcase a week or so ago—I wish I could adequately describe the pleasure, gratification, and magic of having 200 people sing along to a song. Perhaps we all have a bit of Latchkey Kid inside of us—or perhaps not. Either way, I hope you like it: I’ve included the words below the video.

Latchkey Kid

Words and Music: Mike Vitale

Coloring books when I was nine

Anything that I could do to pass the time

Finished up my homework after I go home from school

Built a blanket fort in my living room

Set the oven to 400 degrees myself

Perched up on the countertop to reach a kitchen shelf

It’s dinner time, and my parents are nowhere to be seen

So corn dogs and fish sticks are my routine

I’m a Latchkey Kid, and nobody cares about the trouble that I’m gettin’ in

I’m a Latchkey Kid, and nobody cares about the trouble that I’m gettin’ in

Waiting by the phone for my parents to call

Staring at our family portrait hanging on the wall

My daddy says, “no TV” if stay up too late

Too bad he aint here to regulate

I’m a Latchkey Kid, and nobody cares about the trouble that I’m gettin’ in

I’m a Latchkey Kid, and nobody cares about the trouble that I’m gettin’ in

Sometimes my father would come home late

And my mother would be drunk by then, smell perfume, and throw a dinner plate

No one to read me story when I tuck myself into bed

So I dream of love

I dream of love

and then start my day again

I’m a latchkey kid, and nobody cares about the trouble that I’m gettin’ in

I’m a latchkey kid

I’m a latchkey kid

I’m a latchkey kid

What do you want on this website?

2010 February 5
by Mike Vitale

Talk to me Goose—you’re my wingman. Watch this video and then leave me some comments below on what you would like to see here on this website:

An Exclusive Interview with Myself

2010 February 4
by Mike Vitale

I recently had the luxury of sitting down with myself to conduct an exclusive interview.  Having interviewed and/or spoken to several artists just like myself, I was definitely looking forward to the conversation regarding various topics.  However, while on a surface level, Mike seems like a wonderful person, in my own humble opinion, it became increasingly apparent as our interview unfolded that he doesn’t handle questions very well—you decide.

Mike:  So, what was the inspiration behind this interview with your self?

Mike:  Well Mike, I think a one-half serving of Playboy’s Playmate of the Month interviews, and God knows what else—I hadn’t really thought that far ahead.  It’s like the story behind the breasts, except—I don’t have breasts.

Mike:  Well, we should probably be moving forward to the first question.

What are your biggest turn-ons?

Mike:  Wait, isn’t this the second question?—never mind.  I guess you’re the expert.  Hmm, turn-ons… definitely when someone asks good questions—and a sense of humor: I like that.  You seem to lack one of these traits.

Mike:  What are your biggest turn-offs?

Mike:  Talking to myself: this conversation is over.  Just kidding.

Mike:  What’s the worst place for a guy to hit on you?

Mike:  Pretty much anywhere.  I had a guy hit on me at a bar a few months ago—I was shocked by his horrible singing voice, and he was taken aback by my preference for vagina.

Mike:  What’s the worst pick-up line you’ve ever heard?

Mike:  It’s less of a pickup line, and more of an effort to get my attention.  The same guy I mentioned previously was snapping pictures of me from the table next to ours trying desperately to make eye contact with me—I think he had his fair share of wine that night and was craving some Italian.

Mike:  What’s the best or most creative pick-up line you’ve ever heard?

Mike:  What is it with you and pickup lines?   I don’t think I’ve ever had anyone use a pickup line on me before—I’ve had someone buy me a drink.  Does that count?  My roommate asked me once if my parents were retarded—I said, no.  He then qualified this with “you’re pretty special.”

Mike:  What approach is most likely to work with you?

Mike:  Are we talking about boys or girls?  Honestly, where the hell are you getting these questions from?

Mike:  What signals do you give to a man when you want him to make the first move?

Mike:  You seriously took these questions straight out of a Playboy Playmate of the Month interview, didn’t you?  Did you consider reversing the gender to make this appropriate and applicable in terms of a standard interview?  What can someone possibly walk away with here?  They’ve learned nothing about me!  Can you ask me something meaningful?  I don’t know—perhaps something about my new website that just launched, or maybe my new E.P. that just went on sale today?  How about something about iTunes, and how they take 33% of an artist’s profits right off the top, and how it’s better to buy the music directly off an independent artist’s website.  Maybe something about buying my new CD online at http://www.mikevitalemusic.com.

[At this point, I seem noticeably flustered].

Mike:  I’ll ask the questions, thank you very much.  Have you ever been in a situation when two men competed for your attention at the same time? Who won, and why?

Mike:  This is ridiculous—I’m done [removing microphone from collar and throwing it on my chair as I walk away].

Latchkey Kid

2010 January 29
by Mike Vitale

So, the Best Acoustic Band/Act Showcase for The 2010 Orange County Music Awards the other night served as the debut for a brand new song that I recently wrote called “Latchkey Kid.”  The performance of this song for the first time was a rousing success and definitely the highlight of my night—thank you all for that!  Since performing the song at the showcase, I’ve been getting tons of people asking me about its lyrics (thank you again for that as well), so I thought that I would post them here on my blog for you to read.  ”Latchkey Kid” is definitely going to be on my next album: I am working on the production in my head as I speak.

Latchkey Kid

Words and Music:  Mike Vitale

Coloring books when I was nine

Anything that I could do to pass the time

Finished up my homework after I go home from school

Built a blanket fort in my living room

Set the oven to 400 degrees myself

Perched up on the countertop to reach a kitchen shelf

It’s dinner time, and my parents are nowhere to be seen

So corn dogs and fish sticks are my routine

I’m a Latchkey Kid, and nobody cares about the trouble that I’m gettin’ in

Waiting by the phone for my parents to call

Staring at our family portrait hanging on the wall

My daddy says, “no TV” if stay up too late

Too bad he aint here to regulate

I’m a Latchkey Kid, and nobody cares about the trouble that I’m gettin’ in

Sometimes my father would come home late

And my mother would be drunk by then, smell perfume, and throw a dinner plate

No one to read me story when I tuck myself into bed

So I dream of love

I dream of love

and then start my day again

I’m a latchkey kid, and nobody cares about the trouble that I’m gettin’ in

I’m a latchkey kid, and nobody cares about the trouble that I’m gettin’ in

I’m a latchkey kid

I’m a latchkey kid

I’m a latchkey kid

Capitol Records and The Newborn in their Sink

2010 January 7
by Mike Vitale

Admittedly, it’s not everyday that I get to visit Capitol Records—and running with this idea until I broke a sweat (I’m on my fourth lap), I thought to myself in my normal internal monologue fashion:

SELF:   “I bet other people don’t visit Capitol Records that often either.”

So from this minor leap in logic, I took the next big jump in assuming that you care and decided to write a blog about it.

Crack of Knuckles.

So, first thing is first: how about some photos?  This is the sink from the Capitol Records Mastering Department bathroom:

Now, personally, I feel that this sink says volumes about their mastering work—however, these two points are sufficient:

  1. It fits one small infant—not that I’ve tried: more of an observation and less of a truth—I didn’t have a baby handy.
  2. While music may or may not be born in this department, like this bathroom sink, they do a fantastic job of making music clean and presentable.

If putting out a record is liking birthing a baby, then mastering might be like a gentle wipe with a moist cloth on that infant afterwards: Lord knows I struggle to get my music to smell and look good, especially after I’ve been pushing it through my proverbial creative uterus for a long time—at least it feels that way.

With that being said, I am tickled to death with how much life Kevin Bartley brought to the album and I can’t wait for you to hear it.

This is Kevin—he’s the dude that mastered the disc and an all around nice guy:

Unrelated to Kevin, I was noticing on the way to the bathroom (as their hallways adorned these trophies) that countless other artists with mullets have had their albums mastered here.  Here are a few:

You know, to quote Richard Marx:  “Wherever you go, whatever you do, I’ll be right here waiting for you”— and certainly, here he is.

I’m debating growing my hair out in a similar fashion to follow suit—it seems like the thing to do.  Granted, not all of their artists have mullets, so it’s not necessary:  I was just thinking in terms of my business to party ratio and where those two ideas meet on my head.  For example:

He’s all party and no business (I’m talking hair, not music… George Harrison is amazing), and he mastered here also—I’ll get back to you on the whole mullet thing.

In terms of being wowed, this was one of my favorite albums growing up!  Dark Side of the Moon by Pink Floyd changed my life  I feel honored to have the same mastering team working on my music:

In the meanwhile, it’s nice to be on the inside for once and I’m glad that you could join me:

See you back on the other side.

- Mike

PS

I’m thinking CD release party real soon, with a band.

PSPS

If you like these musings about my life, I added a function at the top right hand corner of this wordpress blog where you can Subscribe to them by adding your email address!  I would like that—feel free if you desire.  It’s wonderful having an audience.

"So, whatcha drinkin'?"

2009 November 17
by Mike Vitale

I try my best to mind my own business.  After all, it shouldn’t be too difficult doing that.  If ever in doubt, just run down the internal monologue checklist when an issue arises to ensure this happens:

Step 1:  Keep your mouth shut.

Step 2:  Keep it shut.

Step 3:  Wow, that was tempting, maybe I should speak up… no I’m resolute.

Step 4:  Don’t make eye contact.

Step 5:  Was that a camera flash?

Step 6:  Woops, I looked.

Step 7:  Wait, did he just wink at me?

Let me explain.

It all started off as an innocent evening of music going.  I was out to watch two of my many favorite local talents, Yeah, Brother, and Danny Maika.  At the conclusion of Yeah, Brother’s set at McClain’s Coffeehouse, I rendezvoused with two friends of mine, Max (who plays Banjo in the group Yeah, Brother) and his lovely girlfriend, Taryn, for an evening of minimalist debauchery at another local haunt of mine, The Pint House in downtown Fullerton a few blocks away.

Now, Taryn, Max, and I arrived just in time to catch Danny’s set.  Having my heart set on getting a little heady, I ordered a few pints of Guinness, and if I were to measure my progress in getting pissed by glasses consumed, I was somewhere around 3 or 4 before my interesting predicament occurred.  It all started with a note:

“So, whatcha drinkin’?”

The note was passed along to me from a young lady I am an acquaintance of, sitting at the table next to us.  Now, for the record, Brittany was not the author of the note; she was just the messenger.  In fact, the penman was a dude next to her whom I had made eye contact with briefly and gave a friendly smile (mistake #1 for those of you who may be keeping count).

Now, that evening, I was running under the assumption that everyone at the neighboring table are friends of one another.  Since I knew a couple of people in their group, and I was bouncing back and forth talking with various individuals seated there, I didn’t think much on the note I received, and cordially replied verbally to the written inquiry by saying to the gentleman out loud, “Guinness” (mistake #2).  I resumed my conversation with Taryn and Max, enjoyed listening to Danny Maika, and went on with my evening as planned.

As fate would have it, when our waitress magically appears at the table again with another round of drinks for Max and Taryn, she also happens to have a pint of Guinness that I didn’t order.  I was perplexed and pointed out that I didn’t order this drink, to which she replies, “Yes, I know.  He ordered it for you,” pointing to the author of the note; he waves.  Decision time:

a.)   Do I accept the beer from the stranger at the table next to me?

b.)  Do I refuse the beer?

I’m not one for being rude or un-cordial, so I accepted the beer and enjoyed it (mistake #3).  By doing so, perhaps I implied any number of things to the gentleman that bought me the beer:

1.    My cordial smile and head nod when we made eye contact earlier in the evening meant something more than “hello.”

2.    Like the Skittles ads, I taste the rainbow.

Unfortunately for him (and awkwardly for me), neither of these are true, however, at this point, it was too late.  I spent roughly the next 45 minutes avoiding his heavy drunken gaze and continued efforts to flirt from 10 feet away.  These included awkward long stares that I couldn’t help but notice from my peripheral as he tried in vain to initiate a visual exchange by persistently snapping photographs of me with a bright flash; he then would follow this with several stares or gestures that made Taryn laugh hysterically next to me.  At this point, I had already been taking flack from her considering my acceptance of the free drink and my explanation that I think it carried intentions beyond getting me drunk.

At the conclusion of Danny’s set, my drunken admirer invited himself over for a friendly chat, in which case, I stuck around for a minute or two, and then excused myself to go use the restroom.  Upon my arrival back, I catch the tail end of Max, Taryn’s, and my not-so-secret admirer’s conversation about him being an Interscope Records recording artist who was dropped from his label because his music was “too dark.”  I thanked him for the beer, after which he replied, “my pleasure” with a hint of facial grimace, and then he left.

Joey, if you ever end up reading this, I mean no offense and find your advances flattering, however, I prefer to keep the company of a woman.  I can’t help it and hope you understand.  Please don’t take offense, and thank you for the Guinness; it was cold, delicious, my favorite, and I appreciated the gesture.  If I can carry anything home from this story, I think it’s cool that we (as human beings with feelings and passion) are progressively moving towards a world where one man can hit on another in an open public space and the worst thing that happens is a blog.  My hat goes off to you Joey (and I mean that with the most respect possible); you know who you are and you are proud of it!  I wish more people could truly say that about themselves.

So, until the next time I get hit-on by a man, or until I find something else to write about, this is Mike Vitale saying, salutations, and thank you for reading.

- Mike

Have a Safe Trip Back to Texas Matilda

2009 November 4
by Mike Vitale

The first car I ever drove was a 1987 Chevy Camaro.  I remember the doors being really heavy and making a jarringly loud “clunk” every time I exited the car.  This particular memory strikes me the same way.  In fact, there I was, exiting that Camaro of mine with my first girlfriend, Lauren.  We had just pulled into a rather large and deserted parking lot that stood along the outskirts of downtown Visalia.  We were en route by foot to my favorite local coffee shop haunt about a block away to hang out and pass the time with friends.  While walking from my Camaro to the coffee shop, we were approached by a man who looked as if he could have won first place in a contest for dudes who wear the street professionally and smell like vomit.  He explained to Lauren and I how he was from out of town and had arrived in Visalia a few days ago in such dire circumstance that he described this sudden inexplicable chain of events as “hella lame.”  He explained how he had no money and not enough gas to get back to his home in Northern California.  Having seen him around town for a number of years and feeling the pangs of his make-believe grief (and the smell of stale Jack Daniels on his breath) I decided to contribute to his homeward bound cause after his rambling joke of a story finally came to the punch line, “Do you have a few dollars to spare?”

 

Now, at this point in my tale, it’s important to point out that I had just gotten paid from my job as a shipping/receiving specialist at the local sports store (I’m not sure what was so special about the shipping and receiving there), so this situation found me with a large fold of money in my pocket.  As I gingerly thumbed through the half-folded earnings (from my days spent counting the contents of boxes full of blank t-shirts) it later occurred to me that maybe that maneuver of mine was not so smart, mind you, in the present company of our new homeless friend; this realization (especially) became increasingly apparent in the company of a starved glare fixated on the contents of my hand.  Having traversed through a cornucopia of twenty-dollar bills in order to arrive, at last, at several smaller dead presidents, my fingers finally settled slowly on three or four one dollar bills; I hand him my small Sally Struthers’ Donation to his self-serving humanitarian effort with a smile that would have illuminated a candle-lit-rural home during the turn of the 20th century with the electricity of my contribution; and I suppose I wished he would have felt something like that farmer turning on his porch light for the first time, illuminating that slow and cold early morning jaunt between his house and the dairy stall to milk Bertha.  No such luck though. As it turns out, I was Bertha, and he could care less how either of us had arrived at that milking stall.  What I received instead was a slow pause, a long look at the new shade of green in his right hand, and then a strong and cold stare back with the expression of someone who was just handed a Ziploc bag full of diarrhea.  He sort of mumbles something under his breath and then exclaims with the passion of a true professional panhandler: “Is that it?”

 

There’s nothing quite like someone looking a gift horse in the mouth.  I then handed him a ten-dollar bill before he said one of the most alarming things in the history of my existence on this, sometimes, cold and dark planet, “You better pray that I don’t see you again tonight.”  The words rolled off of his mouth with the grim expression of someone who felt the world had turned a cold shoulder on him a long time ago, and he was out to get what wasn’t coming to him willingly.  His intentions with that phrase were veiled in a Wizard of Oz-type mystery and I wasn’t exactly sure what he meant with such a cryptic response to what I thought was a kind gesture.  Did he mean that he would beat me down and rob me blind if he saw me again OR was it a joke to express the fact that he thought I was a pushover?  Either way, it wasn’t meant to be flattering and I felt the sting of an open hand across my face, as I had been bitch slapped by his parting words.

 

This experience tarnished my outlook on contributing to the community for a long time.  Now, it’s not to say that I haven’t given money to someone on the street in the meanwhile: quite the opposite.  I just find myself exercising a lot more scrutiny (if you can’t already tell by the tone of my story) and I’m ashamed that this is the case.  Yet, exclusive of the circumstances described above, I had an experience yesterday that reminded me of how beautiful giving can be.

 

I was outside of Ralph’s, in the parking lot (on my way to use the Coin Star machine inside the store) when I saw a woman, her adolescent child, and small puppy sitting in the back of a Chevy Trailblazer hatchback.  The mother was holding a sign that said, “Stranded without gas, food or money.  I just want to get home to Texas.  Please help.”  I saw that her car had Texas license plates, so I handed her a few dollars shyly and started to walk away; she tried to thank me as I headed towards the entrance of Ralph’s, but like a complete jerk, I kept walking (I wish that I had a do-over for that moment).  The Coin Star machine inside the store faced towards the parking lot and as I was cashing in my change, I noticed that her dire situation changed dramatically within the short amount of time I was inside the store.  She had several people walk up to her and hand her money.  I thought more on what I had done (walking away like that when she was trying to thank me) and decided to strike up a conversation with her and find out her story before I went to grab something to eat.  In our conversation, I introduced myself and found out that she and her daughter were planning on moving to California (as I could see from their car full of possessions), but that it didn’t work out and she “just wanted make her way back home to Texas.”  She explained to me how this was her third day sitting outside of Ralph’s asking for help.  She said that the last two days of asking for assistance had brought her nothing but empty stares, or worse yet, not even a glance from the people who passed her by, but that her luck had changed just a moment ago when I handed her a few dollars.  She told me complete stranger came up after me and handed her a $100 bill shortly after I walked into the store.  She had a fist full of money that she was clutching to with desperation and started to sob, not from pain, but from joy.  She thanked me a told me that God was with me.  Just as she did so, another woman stopped in her Lexus and handed me $20 to give to her.

 

Perhaps the world isn’t such a cold place after all, and that the people who need help, still get it.  This goes out to Matilda and her family.  I wish her a safe trip home.

 

- Mike