Plan Bee?

Plan Bee?

by Michael Patrick VItale

I am currently sitting outside and writing this on the patio in front of the rented space that I call my home. I was working on writing something else, but now I'm writing this. I was enjoying a cup of coffee as I often do every morning.

I just went to reach for my coffee mug, but stopped mid-reach; a bee has just landed on the table right next to the handle of my coffee mug. I'm starring at it right now. It sits there motionless, with what appears to be no immediate intentions of moving. I wonder what it is thinking.  

It does not appear to have any ill-will towards me, and I too, have no ill-will towards it. I imagine that it has no desire to cause me any harm, nor do I to it. So, here we both sit, while I, continuing to write and express myself, it lightly brushes its wings and does the secret beautiful things that bees do when you have the opportunity watch one up close like this. After all, for whatever reason, it flew to this table where I am sitting and decided to land by my enormous green Rainforest Cafe coffee mug. However, I do not want to be stung simply because I desire another sip of coffee, so I'm waiting and continuing to type away on my iPad.  

Well, no intention of leaving still, so I begin to appreciate it for its subtle parallels to life and just as I do that, it flies away to continue its busy day full of bee things.  

I take a big rewarding sip of my coffee and I can't help but think back to a few weeks ago when something remotely similar happened, with the glaring exception of us both reacting to each other in a completely different manner: the results however were just the same; the bee flew away.  

I was sitting outside and writing just as I am now, and a bee landed on the table next to my drink, however, on this occasion, it took flight and decided instead to fly around me cyclically, repeatedly, and eventually landed right on my shirt. I remained motionless and let it do its bee things that only bees know, for about 5 or 10 minutes. I could feel myself growing impatient. I had things to do, but I didn't feel comfortable returning to them with a bee on my shirt.  

I started feeling resentment towards the bee for taking its sweet-ass time doing whatever the hell it was doing. It eventually launched into the air again, only to continue to fly around me. I sat there trying to remain calm, but this time, it was flying closer to my face and I could hear its buzzing wings as it continued to make its rounds.

At this point, I freaked out and jumped from my chair and tried to distance myself from the bee as I had no clue as to what its intentions were and I didn't want to be stung. I ended up running over to the opposite side of the patio and it followed me there, continuing to find interest in me and fly around me half-hazard. I didn't want to hurt the bee so I had no choice but to once again remain perfectly still and let the bee do its bee stuff. It flew over to the opposite end of the patio and buzzed around something else for a little while. It landed. It flew away. It came back and flew around me some more.  

I remained motionless and watched. No sooner did I decide to return to a state of calm, than it decided to fly away. I wonder what it was thinking? Did I look like a flower? Was I a layover from its busy day of work, doing bee stuff? What attracted it to me in the first place? How often do we play energy ping pong with each other? How often do we mistake each others intentions, yet act nonetheless? How much of our interactions with one another resides within the domain of cause and effect?

I will never know for sure. Perhaps you may not either. However, why should that ever stop curiosity from chasing its own tail, in favor of that which is not wagging, politely.

Bronco II

Bronco II

by Michael Patrick Vitale

I remember. You remember too. That one time. The memory you might be embarrassed by. The memory that could very well make you smile—if not blush as well, in the fraught of youthful naïveté—there might be a bit of shame mixed in there as well. A concoction of emotions that could very well string a few tears down a cheek, while recollecting—however, I do not think this is the intention of the memory. If anything, it was a deep lesson in a well of wisdom through mistakes hopefully never made again. I only had a few bruises—a few scratches on my back, and arms, and torso. I walked away with my life. I should be grateful. I should be on my hands and knees.

And I was that night, as I crawled from the indiscernible mangled confines of the cracked and destroyed windshield of a Bronco II that was totaled in the shape of a taco, along the side of a rural country road on the outskirts of my hometown of Visalia, California. I was just a kid. A kid who thought he knew it all, yet also had some small inkling that he was a fool—especially while on his hands in knees, crawling, in utter shock, through shattered glass, and dusty horizon of loose dirt sent arial by the bouncing spin, side-over-side of this Bronco II into an old oak tree, going Lord knows how fast. It made contact with that tree, so far up, it makes my stomach churn. The tree bark scrapped off, where the truck slid down the side of its wise and old trunk. It stood proudly, in the face of the ignorance of youth.

I was in the backseat. I didn’t have a seatbelt on. I was drunk. My friends were both intoxicated too. Coincidentally, both of those factors saved my life: being drunk, and having no seatbelt on. As the Bronco flipped side-over-side, I could feel myself bouncing from ceiling to seat, ceiling to seat, ceiling to seat… and I remained loose and an unconstricted bag of fleshy blood and water, from the alcohol, as if my friend did not just flip his car, swerving wildly and out of control, down this rural road that led away from his house—in pursuit of a pack of cigarettes no less. We were all out of cigarettes. We wanted cigarettes; we wanted to suck on the teat of nicotine like a bunch of stupid fucking infants.

My two friends who occupied the front seats, driving and as co-pilot—they had just dropped acid before we left. I opted out on that adventure on this occasion. I had done enough acid and mushrooms at that time in my life, albeit, in the humble pursuit of awareness in the spiritual. I did not require a spiritual journey that night. I had one well-enough without the assistance of psychedelics. That spiritual journey began with me rhythmically bouncing from seat to ceiling, for what seemed like an eternity. No seat belt. I survived.

We all survived. We all crawled out of the windshield, calling out for one another. Disoriented. Coughing from the dirt and debris. We all groggily walked back to his rural house, surrounded by orchards and farm land, to the driver’s parents’ house. They were out of town. We took advantage of this fact by sharing a fifth of Jack Daniels, and our thoughts and good company with one another, if I remember correctly. We might have smoked a few joints too. Loosened up our attitude. Became the warm campfire of friendship, providing heat for one another.

We got back to his house, and examined ourselves in the mirror of his lower bathroom in the downstairs quarter of his huge country house. I was in shock. My friends were in shock as well. There was some laughing and jubilee in the realization that we survived, with few things to remind us, aside from the damages inflicted on our persons. We showed each other these bruises and scratches. There was laughing involved, yes—but please take into account: we were all in shock—and that shock makes it difficult for me to remember much after this examination in the mirror of a downstairs bathroom.

What I do remember is being upstairs in his bedroom, trying to fall asleep on his cushioned bamboo chair, contorted into the shape of a question mark, listening to my two friends on acid, as they concocted a story to tell my friends’ parents. To explain how things came to pass. To explain how three youths nearly died that night, by the hand of their own ignorance—while also omitting those pertinent facts, in favor of some judicious half-truths and lies—if not to both help me, but to also help themselves. I slowly began to sober up, and become annoyed by the chatter of their acid-peaked thoughts, and to feel the full and fool weight of my own decisions—and to forgo my fingers, for counting the many blessings that appendages would never account for, because I will never have enough of them.

I remember waking up at one point, and seeing my friend through my drowsy and sleep starved eyes; he was languidly and contemplatively staring out the window, as his Bronco II was lifted onto a flatbed truck—it was during the sunrise of the next day. The light of the new day reflected across his face. I think his mind was also, where my mind was, while I tried to sleep. What have I done?

Paul Simon on Creativity and Songwriting | The Subconscious Mind and Unconscious Contributions to Creativity

A while back, I had mentioned to you all that I feel that I sometimes write from the subconscious, and that I am not alone in that evaluation of my creative output. I went on to list a few artist names where I have heard or read them saying such in their own words.

And in all fairness, it is easy to say just about anything on this planet:

- I look great in this underwear.

- I'm a nice guy.

- I know what I am talking about

- I know what I am doing when I song write.

You name it. We as human beings can say anything: so it is important to cite our sources from time to time. So, as shown above: straight from the horse's mouth:

Paul Simon on Subconscious Writing: 29:44

Additionally, it is a different thing altogether though to be a student: and to not just be a student, but to realize that we are never a master. We are always the student. We have much to learn: always.

I have much to learn about songwriting, so I do research and I study. I have for years. I continue to.

I am a student. I love to learn.

We should treat each other as someone worth listening to—because I can guarantee you: no matter the individual, if you remain open, you will learn something from them: profound to the mundane.

I have a friend who's wife tells him that he is a shark.

What she means by that is, he must keep moving so that water flows through his creative gills, so that he may breath and stay alive. I understand what she means.

I too must constantly be moving, whether it is intellectually, creatively, physically, or any other type of movement you can think of, whether in the abstract sense or in the real real true true.

In one of the more poignant spots in this interview that took place in 1986, Mr. Simon talks about marketing—and how musicians primarily should be busy making music. It is unfortunate that in 2021, the trend of musicians is very much tilted towards marketing themselves. While there is nothing wrong with marketing per se, there is when it is 80% marketing and 20% self-reflection, creating, study, craft, practice, history, reading, poetry, listening, and so forth. We as artists must be mindful of this. If we do not remain mindful, we become out of balance—perhaps with ratios just described—but in other matters as well—some of which are far more detrimental, or any number of degrees proceeding such.

FOR SONGWRITERS, A FEW (but not exclusive) USEFUL TIMESTAMPS:

- 22:00 - Technique

- 22:38 - Interests and Technique

- 26:45 - 12 Notes of the Chromatic Scale

- 27:45 - Instruments and their Importance in Creativity

- 28:00 - Rhythmic Writing vs. Melodic Writing

- 29:44 - Subconscious Writing

Another book that I own that has been invaluable to me is "Songwriters on Songwriting" by Paul Zollo.

This whole interview is a blessing to watch, as is that book just mentioned. We learn from the kindness of those who share.

I have made one small addendum to this post. It is on today, Friday May 10th 2024. I just got off the phone with a person whom I admire a great deal. I was asking for his advice—his wisdom. He gave me some thoughts that were a little hard to hear—however, I can’t say that he is wrong. He could be right. It’s in regards to why my own music is not more widely embraced by a large audience. In the larger context of this post: I write music from my unconscious mind; I am deep believer in the work of Carl Gustav Jung and his research on the Unconscious: that is where I write from. This is a gift for you, my dear reader… wherever it may find you. It is a private streaming link to a song that I wrote from my unconscious mind. It’s about humanity. It’s also about me, because I am a part of humanity. It’s called “The Incredible Shrinking Brain.” It will be released this year, in 2024. To me, it is a profound song. I wrote the words very quickly (hence the Unconscious Mind aspect). My friend, whom I was having a discussion with just a moment ago, could think any number of things about it… I believe in it though… and that is what is important. Please accept it as a gift from a portion of me, that I was not conscious of, until it presented this to me, as a gift. Now, I give it to you as one:

Lots of love y'all!

I'm heading to the store to pick up some gardening supplies. (this was in the past—I remember that. I bought a pair of shears—as you can see, I time travel as well)

- Mike

WHO IS MIKE VITALE?

I am a storyteller, singer, songwriter, music producer, traveling musician, Jungian dream analyst, all-around curious fellow (Spiritual, Mathematical Historical, Scientific), Taoist, and much much more, based out of Los Angeles, California. I’m constantly releasing new music, in all sorts of different genres. You can listen to me below, on Spotify:

SOCIAL MEDIA LINKS

UPCOMING SHOWS

I'm Glad You Made it Here

I’m glad you made it here. You’re just in time. You’re on your own time, operating as yourself. That’s good—and you ended up here. Thank you.

My name is Michael. That’s what my parent’s called me. I call myself that too, coincidentally.

I make music. I write about life. I write about dreams. I try to live my dreams. I try to live the best life I can, and to be the best version of myself—if not in all its numpty glory, than in sheer brilliance, finally fashioned out of my own hopeful ignorance, to see life as a blessing.

I am living the dream, and the dream is to express myself. To share my life experiences with people, through music and words.

I like getting to know people. It can be a bit overwhelming at times, given the regiment of creating stuff on a daily basis, so please be patient with me. I assure you though, that I have a genuine heart, and a curious mind. I often read about 5 books at a time. I am feeding the reservoir that I write from. The well of souls. It’s fed by more than just literature. Perhaps its the collective unconscious. It might also just be a dirty joke that I laughed at. Whatever the case, I write from it, and enjoy this act (creating) almost more than most things I can conjure—besides perhaps, sharing these creations with others.

And with that notion—I wish to thank you for being here.

There used to be a social media site called Myspace, that really wasn’t anyone’s space. It was theirs.

This however, is my space. It will always be my space. I share me, for anyone who cares to know. It is not stocking to read this stuff or to listen to this stuff. That is a ludicrous idea. This is a public forum, and I am willing share my life on it, for you to consume, should you care to do so—furthermore, it is here to interact with as well. Talk to me Goose.

Whatever the case may be: I’m glad you made it here.

… and should you ever wish to contribute to my art, for which there are few greater honors I can think of as a gift from another human being, aside from their love and attention, you may contribute and help propagate my art at my Patreon Page. I used these contributions to make music, mix audio I have produced with my imagination and the help of very talented friends, go on tour, create music videos, and so forth. I would be honored to have you as part of the community: https://www.patreon.com/mikevitalemusic

"Satin Doll" | Arrangement by Joe Pass

Boy oh boy. Am I a horrendous jazz musician. I’ve been trying to chip away at improving this deficiency over the past 10 years or so, but to be completely honest, I haven’t made much headway—and that’s okay: it’s just for the fun of it. It’s a hobby. Most of what I’ve been doing is trying to treat music as a language, and learning some of the lexicon of jazz musicians that I admire. This is the A Section of Satin Doll as arranged by Joe Pass. There is so much to playing jazz, and these are some small baby steps I’ve made.

Thank you to everyone on Patreon for your encouragement and support: https://www.patreon.com/mikevitalemusic


A Peculiar Growth... and a Mouse

A Peculiar Growth… and a Mouse

By Michael Patrick Vitale

I was in my quaint living room in Los Angeles, California. I have a beautiful fiddle leaf fig that occupies a space directly to the right of my work desk. However, its appearance was different than I normally remember it. It has been carefully manicured to have its main branch subdivide into several different shoots of branches, each with their own constellation of leaves. It is quite beautiful. It differers from the predominate majority of their variety that has a lone shoot, or trunk, which will continue to grow to the heavens, until it either buckles under its own weight, and begins to curve, or if a ceiling or otherwise, inhibits its upward expansion.

While I have tried to maintain the relative size of this tree by restricting its new growth, on this curious occasion, I noticed a peculiar new growth, that I had never noticed before. It resembled an oblong organic pod or tray running horizontal along the top. I had never noticed this before. It appeared to have a lid. I was curious beyond belief. I slowly began removing the organic lid. There was an overwhelmingly sticky bond between the lid and the organic tray; it resembled an adhesive viscous secretion of sort, as I pulled the lid away and back from the tray; this viscous material remained attached to both ends, the tray top and its constituent container, for lack of better words. Rather than remove the lid, I pushed it away, as one might do with the heavy top on a sarcophagus. While it was not a heavy lid, the secretions and absolute queerness of the entire growth on a fiddle leaf fig, creeped me out. So, I do not think I was eager to touch it a lot. I do not feel like that I was full of fear, but I most certainly felt on edge, as if, to be prepared for the unexpected.

What I found inside were two distinct things. It appeared to be a spiders nest as there were two or three sprawls of spiderwebs inside. Instantaneously, I felt as if this might be the home of the spider I was observing the other night. In addition to this, I also saw what looked to be a new miniature version of a fiddle leaf fig on the inside of this organic container.

Having inspected the contents, I pushed the lid back over the top of this organic tray of sorts, so as not to disturb the creatures or spiders living inside this peculiar organic case. I was overcome with a feeling of bewilderment by this whole ordeal, if not a bit of fear, perhaps as I appeared to be dealing with something previously unknown—in my home no less.

I look down on my floor, in front of the desk, to see a cute white mouse, with a rather elegant and appropriate tail. I am ashamed to admit that my initial feeling was that I needed to eradicate this rodent. It began to scurry off towards my bedroom. I had a reassured feeling that my cat would take care of the mouse.

A Time Machine

I originally wrote and published this to my website blog on January 21st 2017.

Today, however, is the 4th of July. It is Independence Day—only a hop a skip and a jump away (mere weeks) from the Supreme Court removing a "privilege" that should be a "right", and an unalterable one at that.

Independence Day?

I wonder why any of us would want our federal government to morally regulate us?

I spent a great deal of time thinking about the argument for and against the right to have an abortion. But despite all of this, I still come back to the thought of why anyone would want to bestow the federal government with a power that it does not deserve to possess, and never will: the ability to tell you how to live your life.

If we historically look back on the United States government trying to morally regulate us, it has never once succeeded. Prohibition. Prostitution. The War on Drugs. Of those three off the top of my head, how many have succeeded?

It merely turns the federal government and its cohorts into hypocrites, inevitably.

Independence Day.

It can be a lot of things—not just a day to celebrate the independence of a colony from its parent country. It can be whatever we would like for it to be.

Independence from habits that no longer serve us. Independence from whatever we see fit.

As I had mentioned previously, I wrote this and published this approximately 5 years ago:

Every Saturday night, I play a gig at a resort in Carlsbad, CA. The place is called Park Hyatt Aviara Resort. I live in Long Beach, so it normally takes me about an hour or two to get there, depending on traffic, and about an hour on the way back.

I used to listen to music most of the way there. It varies. I normally do some vocal warmups when I'm feeling studious. However, as of late, I've been calling my friends to talk while I drive. It's a great time to catch up with everyone I love.

At any rate, one such conversation with one of my friends brought back a memory from my childhood.

I attended an elementary school in Visalia called Crestwood. I grew up right across the street from that school, which was pretty cool. It was a giant playground right across from my house, so it was the perfect place to meet people and to engage in things to do. Play basketball. Play baseball. Just play. I really enjoyed playing sports growing up. I dreamed of being a professional athlete for a small stint.

I was a very shy kid. In some regards, I still am. I try to get myself out of my comfort zone as much as possible, but, it's a constant effort to break out of that mold. Perhaps you can relate. Perhaps not.

I spent much of 5th grade and 6th grade recess playing football with my classmates. I made what I thought at the time, were friends, participating in this daily activity. It was fun. I continued my efforts to reach out to some of these individuals, through extra curricular activities like Boy Scouts of America. I enjoyed it very much, because it helped me to meet people and get out of my shell a bit, and I learned about survival and the wilderness.

However, I made a mistake, as we all do, one day. I upset my father with this mistake, and as punishment, he forced me to quit Boy Scouts of America. The mistake I made was contrary to the code of conduct and ethics instilled in its participants. Because of this, it affected by ability to further connect with my peers.

A few years later, during junior high, I tried my best to reconnect with one of the kids that I was in Boy Scouts of America with. However, my efforts were met with a lack of enthusiasm. I was bullied by this individual. He took every opportunity possible to try and pick a fight with me. It started as verbal putdowns, and eventually grew into physical engagements such as throwing basketballs at my head during P.E. or a shove to the ground for no reason. I tried my best to not engage in what he wanted, which was a fight. Instead, I just accepted the punishment and ridicule. I didn't want to be hurt, but I certainly didn't want to be his enemy either. I gave up and kept my distance from him, as I assumed that my absence from his life would better suit the both of us, and I was scared of what I might do if I allowed myself to become angry. He was the son of the Cub Scout master I had in elementary school. I wanted to be his friend, but he didn't reciprocate that desire. So, we never became friends.

I went about life. Found things I loved, like music. I would see him from time to time. We would not engage each other, even in junior college.

One day, I was talking to a mutual friend of ours at College of the Sequoias. He asked me why I didn't talk to Paul. I explained to him that my efforts were never reciprocated, and told the story I just told you.

Our mutual friend, as adults typically do, explained to me that Paul had a bit of a rough go growing up. His father was not very kind to him. Paul's father physically and verbally abused him.

I was crushed by this information. As a twenty year old, I looked back on Paul's behavior growing up, and realized that he was in a great deal of pain at that time. It had nothing to do with me.

I remember him calling this beautiful latin girl a "wet back" in one our classes in Junior High—in the middle of class. His targets that he lashed out at, included more people than just myself.

To this day, I can't possibly process all the intricacies of what it is to be a human being—what it is to put yourself in someone else's shoes. I try my best. Any frustration or anger I felt towards Paul, was replaced with anguish and sympathy, and most painfully, empathy, for what he inherited.

I'm thirty seven years old now, driving back from a gig in Carlsbad. Music off. I'm just thinking. Remembering my life. Building a time machine constructed of human experience. This time machine can only travel to where I've been. I travel to my past. I have yet to manifest a future to travel to.

I've made a lot of mistakes that I regret. I wonder how many times I have been the Paul to someone else's life, without even realizing it.

I'm not sure that I will ever see him again. But, should I ever, given the opportunity, I would love to get to know you. Wherever you are, wherever the journey in life has taken you, I hope this finds you happy and well. You deserve it. We all do. The future is what we make of it.

Art as Seen From a Bed

I feel as if I am in a food court of a shopping mall, however, to be completely honest: I have no idea where I am, aside from sitting at a table, across from another human being. This human is a friend; I am visiting with a friend. He is a very talented guitar player. On a spectrum of deep friendship to acquaintance, I suppose we are closer to the later. We have never been typically close, however I certainly do not think of him as an enemy or someone that I hate—so he would best be described as a friend. I only mention this to help qualify my relationship with him.

He is a rather gifted musician—meant mainly in the sense that he has strived, and continuously worked to reach towards the stratosphere of excellence as an electric guitar player and performer. I do not recall our conversation in depth. I do know that it had to do with guitar and him taking a playful jab at himself, feeling as if he is using chorus all the time, as if it were by request or not a choice of his own doing. He sort of made a comparison to him feeling like Andy Summers from the rock band The Police. Chorus is an audio affect, a guitar effect that doubles a signal and offsets that second signal; in other words, it is a very quick delay, perceived by the human brain as a swirling and churning sound, thick and delightful. He said that he felt like he plays every song with his chorus pedal on.

This friend and I are not particularly close, as mentioned previously, so I ask if he would like to hang out for a longer duration; perhaps we can get to know one another better—become closer friends. I do not recall whether this was something that he found agreeable and enjoyable. I do however feel that he invited me over to one of his friend’s houses to hangout.

We found ourselves in a room. A room that looked unfamiliar to me, yet somewhat familiar.. It felt like a drug dealer’s room. But to be honest, I do not recall any discernible evidence of this notion within the room, aside from the general feeling of that association. Besides, what does a typical drug dealer room look like, anyway? At any rate, all three of us were sitting on the floor. Two friendly dogs arrived at some point in time. The other two people in the room sort of took a backseat in my mind; they became part of the peripheral. My attention was very focused on the dogs. They were quite playful and enjoyable to be around. I played with both of them on the floor. Wrestling around in good horseplay for a period of time. They were big dogs. They could be aggressive, but they weren’t. They very much enjoyed my company, and I enjoyed theirs.

Having tired of this activity, I retreated back to sitting position on the floor close to the bed, and noticed that my host’s bed had a beautiful piece of artwork that started directly above his bed’s headboard, and sprawled upwards, in a secondary and third canvas, onto his ceiling. It was one continuous piece of art. I remember swirls of oranges and yellows. Very atmospheric, brush strokes that swirled and collided and coincided with one another as if it were currents of color—not a portrait of an image as far as I could tell. More abstract in that sense. There were words on it, or something that appeared to be words—but in all honesty, it was indiscernible to me as a language with any meaning behind it. It came across as a beautiful piece of art and if it spoke, it said something beautiful that my eyes appreciated. I thought it were clever that it was something my host, and myself by extension, could appreciate from say, where I sat, but also as something he could appreciate while lying in bed.

There were thoughts of Chicago and wondering when it begins to snow there.

Real Estate

Real Estate

by Michael Patrick Vitale

Lately, I take long walks in the morning, and I listen to things. I listen to audio books, or to an interview on a podcast, or to a music album. Sometimes I just listen to the birds. Other times, it’s the wind, being expressed through the rustling of leaves in trees, or the trash rolling up the gutter on a city street. And, as I listen, I let my mind wander and meander like the sinuous twists and turns of flowing tributaries and streams, ironically in contrast, along an otherwise seemingly monotonous oval through my neighborhood; it’s a great big jittery handed zero I make every morning on my etch-a-sketch-GPS running app, spanning approximately three and a half miles.

I was listening to an audio book this morning, trying to take my mind off of a very brief incident last night, after completing my work at a resort. However, the chatter in my head was making it difficult to concentrate.

I perform music for people at special events and gatherings. For the most part, I enjoy my work. On the other hand, I am sure I could punch holes through the thin veneer of this general assessment on occasion, if not out of complete frustration, then for a brief glimpse of the human element residing beneath the surface of what we use to make things look natural and attractive on the outside.

I certainly felt like punching a wall, as I was driving away from the resort last night in the dusk, quickly transitioning into darkness. I am fairly certain that was the desired outcome by these four folks sitting at a table, drinking their wine and prattling on and on about things in their life. And while my interaction with these individuals started innocently enough, it quickly perverted into some queer exchange of forced politeness, criticism, entitlement, and irony—all that I would have gladly avoided. They wound me up, like a little play toy. I am in fact, not a play toy. I am quite capable of fencing with words. However, when doing repeat work for a place that pays me well and treats me well, there is a particular deport or decorum necessary for me to maintain with the establishment’s patrons, no matter their attitude and demeanor. This made for a wonderful winding-key provided conveniently on my back, I imagine.

I mulled this notion over in the moment. I left my foil sheathed, as they drunkenly pulled out a figurative magnifying glass under some misguided pretense to better expose the faults and selfishness of my behavior. Perhaps they felt like shiny armored knights and moral arbiters of truth and justice gathered around an itsy bitsy round table. Or were they four school children, in a park on a bright and particularly hot summer’s day, hovering over what they felt to be an ant, with that same magnifying glass, and plenty of time to kill—amongst other things?

Just before the storm—before any of this that I just summarized, I was a slightly verbose, yet ultimately simple math equation: one tired musician with a long drive ahead of him, plus an empty stomach, plus excessive avian fecal matter on his hands after winding cables and distributing equipment to car, plus time sensitive social plans when he arrives home from his two hour car drive, equals: a guy with somewhere to be. First order of business was a bathroom sink. Second order of business was to pick up my check from the business office. The shortest path to this office was a course and heading that led to a brief fly-by of the round table and its knights. As I approached, I did not see knights or swords or armor: I simply saw four people.

I passed by the table laden with wine glasses, a wine chiller, wine bottles, and its occupants in a two by two divide, two male and two female. They were nestled between the greek columns that decorated the lavish outdoor patio of the wine estate. The two female were faced towards me as I passed, one of them asking if I could take a picture of them, as I approached. She thrust her phone out anticipating for me to take it. I looked at my right hand.

My mind was very much preoccupied with the notion of getting home to eat, which was a two hour drive for me. I was famished. I just completed packing my car, and in the process, had acquired a copious amount of bird shit on my hands while winding the speaker cables. It’s not the birds’ fault. They were just doing what they do where they always do. I was the moron who decided to place his shit where they shit. I take a brief glimpse of the phone in her outstretched hand and say, “You know, I really need to be going.” I quickly resume my efforts to get to the bathroom, wash my hands, and pick up my check. From behind me, I hear one of the male guests at that same table proclaim to the female, “Why did you ask him to take a picture?”

Earlier on, as I was breaking down my equipment, winding cables, and unwittingly smearing white and black excrement evenly through my fingers palms as if it were hand lotion, I overheard this same gentleman talking about real estate in Long Beach. I used to live there, so I suppose it attracted partial interest and I leaned into what was being said, ever so slightly:

“I sold that house in Long Beach,” he said.

To which one of the females replied, “The one with the pool?”

He must be a realtor, I thought.

Real estate. I’m on my walk again. My morning walk. The walk I was telling you about earlier. I’m no longer walking by a table, or talking to patrons at a resort, nestled between rolling hills and a cool breeze. It’s the next morning. I’ve walked about three miles. I’m passing by this old decrepit husk of a building that I am sure has a story. I pass by it every day, on my morning walk. I spent several years running by it, as I exercised—chasing after endorphins, chemicals that were already in my body to begin with; go figure.

I really didn’t start to think about this old abandoned building, until I started walking past it. It could have been a bar, I thought. Maybe it was a small restaurant. No, I most certainly think it was a bar, judging by its lack of windows—perhaps its aura and conceptual design, as well.

It is mostly constructed from those old concrete blocks that almost seem to conspire towards the grand creation of a nondescript building. It was as if the architect or draftsman who designed it, were trying to create something that would confuse a slow moving passerby, approximately fifty to seventy years after it was built. I’m sure nothing could be further from the truth, no matter how hard I just laughed. However, with its old-faded-semi-olive-green paint job, iron rod covered windows, and heavily bolted and boarded front entrance: it most certainly was not competing for a beauty pageant.

The longer side of the building contained an awkward rectangle of mismatching green, over the top of the original faded olive green. A cause and effect that probably began with a sudden desire by an individual to graffiti an urgent transmission, and ended with the building owner’s frustration to match the original paint color.

It has an L-shaped parking lot that wraps around two sides of its worn rectangular confines. There is an entrance from the parking lot that is missing its door. One might assume that this would be an invitation to explore the buildings greater interior, if not for the large black sliding gate surrounding the perimeter of the parking lot, calmly saying, stay the fuck out. The short front side of this rectangle, of which I have described to you previously, faces towards a major thoroughfare. The longer, windowless-concrete-block side of the structure, follows a residential street, that quickly dead-ends up a hill, into a house or an apartment. It maintains its stance on this corner: one of many buildings lining a semi-steep incline, on a winding road.

In the five years I have lived in this neighborhood, this building has stood here, in its exact same condition. Unused. To the best of my recollection, there has never been a realtor sign in front of it. It is a skeleton of what it once was. Perhaps I feel a sort of kinship to it. Then again, perhaps not. It has taken five years to even really begin to notice its energy, or to even abstract some sort of meaning to it, beyond its physical attributes.

Were I man of more wealth, I might hunt the person down who owns it, and try to relieve the individual of this burden, so that it may be reborn and useful and beautiful again. I also recognize that I make my own tail wag from time to time with bouts of whimsy. At the moment, this creation of concrete and wood and iron and steel just seems to be taking up space. I wish for this building to be full of purpose. Oh, how beautiful and fulfilling it is to couple a purpose with the occupation of space. I would gladly officiate that wedding, regardless of whether it be animate or inanimate.

Space, by its very definition, can be so much. It is almost ironic to think of all the possibilities of space, in and of itself: just as a word with definitions. It can be a vast expanse: impossible to grasp in its complexity and size and distance and substance. It can be a small space or a large space, within the confines of our perceptions of a three dimensional reality; however it can also exist in two dimensions, as you might see between each of these written words before you—and the subsequent sentences, and paragraphs, and indentations from the perimeters. It can be a commodity, such as property, with the intention of providing it a purpose—whether that be physical or otherwise. It can be a measure of distance between objects, such as people, or an interval of time. It can be an area provided to an advertiser in a newspaper or magazine. It can also be a place in my thoughts.

And perhaps that is what I see in this building. Perhaps that is what I feel, residually, from last night. My thoughts are involuntarily occupied by the occurrence of these four individuals. Yes, I realize I am in control of my own faculties. However, there are phenomenon, in which we can not control the thought. It is analogous to a ghost. A ghost that haunts in a house. It can be akin to the concept of the movie Inception. Don’t think of pink elephants. Don’t think of them dancing. Those dancing pink elephants in your head. Watch them prance and prance and prance; those gorgeous and happy pink elephants. The thoughts are like real estate. Real estate occupying space in your thoughts.

I observe the thoughts, consciously. Taoism talks of observing them entering, and watching them leave—as if they are people taking a brisk stroll through my consciousness. However, sometimes, they are a carousel in a freaky carnival of the mind. Speaking for myself—these thoughts do not last forever. And while I feel it would be unwise to boil the reasons for revisiting them down to some sort of strange alchemy of understanding; it seems that might be the very reason I continue to think on something for a spell: perhaps I just want to understand, even if it is just on my own subjective level. It might even be in an effort towards empathy as well.

I am no longer on a walk. I am writing this with my pants down, on the toilet. I am getting rid of waste: a waste of space—or probably more accurately, making room for something else that may equally serve me in a manner that is helpful. I am making lemonade. Poopie lemonade. I am making myself laugh, which is always a gift. I like to laugh. I love when other people can laugh.

Perhaps those other people were laughing amongst themselves after I left. Perhaps they were not laughing. Perhaps they were genuinely upset by the fact that I would not take a picture of them when they asked. Perhaps the person who asked for the snap shot, would have wanted bird shit all over her phone when I took the picture, and handed it back to her—had I agreed. Most of the time, I do take pictures of people when they ask. In fact, I think this was the first time I have ever opted out, when asked.

While I have no certainty in regards to the hypotheticals I have listed, I can say that they complained to the manager about me, who in turn, transmitted such claim to their supervisor, who in turn, reached out to me. The names have been changed to conceal the identities of those involved:

TO: Mrs. Buttersworth

FROM: Bruce Springsteen

SUBJECT: Guests

DATE:

Hey Mrs. Buttersworth, just wanted to follow up on something.

Was there any issue or concerns with some of the guests from last night?

Thanks.

Sent from my iPhone

To which I replied:

TO: Bruce Springsteen

FROM: Mrs. Buttersworth

SUBJECT: Guests:RE

DATE:

Hey Bruce,

Yeah, I had an issue with the table that most near to me as I was going to wash bird feces from hands and to pick up the check from the office.

One of the girls at the table asked me if it would be possible for me to take a picture of them, as I was walking by their table.

I politely said, “Uh you know, I really need to be going,” as I was anxious to wash bird poop from my hands, and to get home to eat. It was actually an act of kindness in some regards—to not get poop all over their [sic] phone.

I was also anxious to get home to eat as I am on a ketogenic diet, and just find that it is easier to bring meals with me or to eat at home. One of the members of the table (male) (they totaled 4) [sic], asked her “why are you asking him to take a picture?”, as I walked off. I was not impolite, but I did have places to be and a long drive home.

On my way back out towards the car, they confronted me in a manor that I increasingly found offensive, overly-critical, passive-aggressive, impolite, entitled, and above all else, laced with irony.

I did not engage them. They engaged me as I walked by.

One of the women said, “Would it really have been that big of a deal if you just would have taken my picture?”

I said, “As much as I would like to, I have a long drive ahead of me, close to two hours.”

I turn to go to my car.

She says, “It would have taken you two minutes to take a picture of us. You know, I thought you were really good. I tipped you earlier. But whatever, can’t be bothered to take a simple picture. I was going to check out your music later, but now, I don’t think I’ll bother.

I stopped and turned around and said, “With all due respect there is absolutely nothing wrong with telling someone no, when they ask for something.”

At this point, the other female at the table said, “Yeah, you’re kind of a jerk.”

To which I replied, “You’re drunk.” (Which all four of them were). I was not.

At this point, one of the males jumped in (conversationally, not literally—his arms were crossed and he seemed uncomfortable in his body language), also complaining, that he tipped me as well and he can’t believe how I am so this or that (can’t quite remember what he was getting at).

I was flustered at this point, and felt quite belittled. I did however, not say anything further to them. I caught myself. I walked up to them. Stopped. At which point, one of the guys said, “Yeah, whatever. Bye bye.” I started to speak again, and he cut me off and said, “Bye bye, we’re done here. Seriously, bye bye. You’ve got places to be, remember. Bye bye.”

One of the females started saying polite inflammatory things such as “Good luck with your music career” and things of that nature, with the intended purpose of getting a rise out of me? It’s hard to say. It most certainly did not come across as a gesture of kindness. It came across as ironic in her use VIA tone.

I was speechless, and quite upset by this.

I got in my car, and left, in the calmest manner possible. I actually tried calling the resort a few times while on my way home, but couldn’t reach anyone to discuss this. I’m actually quite happy you reached out to me in regards to this.

I am driving to a gig. Please feel free to call me if you would like additional details or need anything. I will be driving until my 6pm load in.

Thank you for reaching out. Deeply and truly.

Warm Regards,

Mrs. Buttersworth

323-867-5309

Sent in 1's and 0's from my iTin can telephone attached to a piece of string

To which he then replied:

TO: Mrs. Buttersworth

FROM: Bruce Springsteen

SUBJECT: Guests:RE:RE

DATE:

Mrs. Buttersworth, thanks for your response.

Always interesting to see how there are such different perceptions from a single encounter.

Funny thing is, there's really no variance in your sense of the facts and their sense of the facts...  just difference in perception as to what is fair to expect from another person.

I'm sorry you had to experience the situation in the way that you did.

Please don't give it any further thought I just wanted to understand better what happened.

I don't know if anything like this has happened to you before but it is definitely something we go through on a fairly regular basis.  I think some folks feel that if they've tipped someone it gives them some entitlement.

We look forward to seeing you next week.

Bruce Springsteen

Perception. Yes. There is a reason that Bruce Springsteen is the boss. An incomplete picture, perhaps? How often do we operate without a complete picture? How often do we project the shadow of our persona on others around us?

What started with an innocent request for me to take a picture, turned into something else entirely. It was just a little question. All I had to say in return was that I had bird shit all over my hands, but I did not. The absence of that statement in the moment was not calculated or premeditated. I was tired and I was hungry; I had plans with a friend and I wished to be home. Yet this became a recipe for some witch’s brew—a concoction—a doorway for dark behavior; it was the catalyst to a string of events. And as the sun was setting, and as I climbed into my modest and overstuffed sedan full of sound equipment and instruments, I added a slightly heavier version of myself to this grouping of stuff. I too had baggage: a vessel now full of enmity and antagonism, as those feelings were poured half-hazardously on my person.

I observed myself, for the first fifteen minutes of my two hour drive home, in the darkness of night, saying mean things. Saying witty things. Saying clever-passive-aggressive-double entendres to my dashboard: a stand-in for an imaginary group of people. It was the transmission of their collective projections onto me, that left me wet with their feelings. I just needed to dry off a bit. I felt silly after fifteen minutes. So, I spent the rest of the ride home oscillating between deep rumination and wanting to be home to eat a healthy meal, and spend some time with my friend. However, there was now a space in my thoughts that they collectively occupied. Real estate. I did not sell it to them. It was as if, they just sat down, uninvited. However, it was not that. It was a greasy residue. A smear on a counter-top. It was rubbish disguised in a cheap mustache and horn-rimmed glasses, as something useful. It could be useful to them, the recollection, if they do not label the psycho analysis theories, of some, as psycho-babble. But for me it was a brief occurrence that just became chatter. My brain was full of chatter:

Have I ever been those four people around a tiny round table? I'm not perfect. I know for certain I've pissed people off. I'm not so certain that I have ever actively participated in something of that nature before. Why do you even care? Why do you allow yourself to be wound-up by someone else? It's my emotions. That's what the problem is. Emotions. I can feel perfectly in balance, and then someone can come along and disrupt... actually, it wouldn't even have been an issue if I just would have said I have bird shit on my hands. So is it my fault? Maybe so. I was doing the best I could, given the circumstances. Etc..

The freaky carousel of thoughts goes round and round, in perpetuity, until one might ask themself: are these thoughts useful? Well, are they? Additionally, there are those who would have the audacity to say that they do not suffer from time to time with the burden of such thoughts. You can dress yourself up in whatever persona you find pleasing. It is the gatekeeper to your own ego. I offer this warning, if such is the case. It is the same advice as what Kurt Vonnegut gave at the beginning of his book Mother Night: “We are what we pretend to be, so we must be careful about what we pretend to be.”

I’m sure this would all make more sense to you dear reader if the details, if the emails, if the transmission were not predominately redacted information. So I un-redacted it—but then again, you’ve already seen that. As far as you were concerned, before my mentioning such, it was never amended in the first place.

Perhaps I am now graffiti on a wall. Perhaps I am the wall. Perhaps I used to be the mismatched green paint used to cover the graffiti. If buildings wore shoes, I might try to put myself in them. If one were to ask my opinion, I do not think I am any of those things. I am also not the building. I observe the building, and then I keep on walking. It is real estate, regardless of whether it has purpose, or just takes up space. It might have a pool. Someone could push me into the pool. Someone could try to sell real estate to me. I don’t have to buy it though.

A Hotel Room Inside My Head

Painting by Edward Hopper

A Hotel Room Inside My Head

By Michael Patrick Vitale

There is a hotel room inside my head. It does not demand attention of its own adornments. It is not flashy, and because of this, its occupants might not spare their attention towards whether or not there is a mini bar, or a large television with multiple channels, a well-upholstered couch, the finest of wallpaper, or the most elegant of lighting apparatus and lamps and other assorted furniture. None of these things are the focal point for me, at the very least. I can’t speak for everyone else present—well, I suppose I could, but I will not out of my own misguided principle. I am there for music.

There is a concert to be had by everyone present at this event, in a hotel room, inside my head. A very intimate concert. In fact, I am one of the artists scheduled to perform on this very lovely day, in a hotel room, inside my head. I never do perform though. Nor does the headliner. The very first artist, a duo, is scheduled to perform. They are the only people who actually play any music, and they do so, criss-cross applesauce from the humble elevation of carpeted floor, adjacent and in front of a King-sized bed. They play music that is inspired and unique and quirky and endearing. It speaks of their heart and soul, and everyone present can feel this. I recognize and admire all of these traits from my perch on top of the bed, in the hotel room inside my head.

The person next to me on the bed, is the headliner. She was not pleased to find out that this act was playing. She was unfamiliar with them. I assured her of their talent and merit, yet she remained skeptical—that is, until they began to play their music. They changed her mind. She told me so, sitting next me, on a King-sized bed, in a hotel room, inside my head.

To be completely honest, I am surprised that she agreed to play—let alone that she is even present, in this hotel room inside my head. She is quite talented. She also can’t stand my presence. Under normal circumstances—let us say, outside of a hotel room inside my head—she would avoid all contact with me. It is not my place to say that such feelings are unwarranted, either.

Once upon a time, I sent her a song I wrote, thinking that it might belong to her. I was mistaken, apparently. Perhaps she misunderstood the lyrics. Perhaps I misunderstood the song. I remain open to the idea that sharing the song, with her, was a complete mistake. Things probably would have been better left unsaid, and unsent. Thinking about it in some sort of equal measure of pragmatism and ——————————, what is a human being aside from a collection of choices? Regardless, here we are now, on a King-sized bed, watching a concert, in a hotel room, inside my head.

The musical act who was playing their original music, concludes, and they are no longer in the room. However, this notion did not become apparent to me immediately. I was startled to find that my father turned on the television, in the hotel room inside my head. I had no idea there was a television. I had no idea that my father was present. What an entrance! It was an impressive use of show me don’t tell me (bravo!). I politely insist that there is a concert in progress, and that perhaps he should turn the television off. He complies to my request without a word of disagreement or disgust.

While my attention was diverted on father’s insistence to find suitable entertainment in the realm of the two-dimensional, my headlining act, disappeared as well. She was nowhere to be seen. In her stead, two dear and talented friends arrive, and begin unpacking their guitars in order to play. I am thrilled to see both of them, although, admittedly, I am closer to one of the musicians—more so than the other—and frankly, I am surprised to see the more familiar of the two, as he no longer lives anywhere near to me. But then again, what do I know of time and distance and possibility, when it comes to an intimate folk concert in a hotel room, inside my head.

Nonetheless, I greet him with a long and sincere hug to display my deep gratitude for his company. As he unpacks his guitar from its case, I stand from the bed, and walk towards the adjacent area, the stage, if you will, where the previous performers had sat and expressed themselves. I suddenly notice that the arrival of my two performer friends were accompanied in more than equal measure by a large group of strangers, scattered across the space that could be described as the hotel room inside my head. Their presence is not unwelcome. An audience is always appreciated, especially for a concert, regardless of whether or not it is, within a hotel room, inside my head.

I reorient myself towards my friend, who is attending to his instrument, with his back facing me. His hair has greyed substantially since I last saw him several years ago; it would be best described as a distinguished look of salt and pepper coloring, at ear’s length. I mention that “I am so surprised to see you,” to which he replies, “I am moving back here. My house has turned into quite the money pit.” I am pleased to hear of his return, but saddened by his housing woes. I am also just beginning to realize that he is setting up to perform—this is slightly troubling, as I was not expecting his presence to begin with. After all, we have a full bill of performers for the evening, and furthermore: I have no clue where the headliner is. She has all but vanished.

A quick perusing of the hotel room inside my head shows no sign of her presence. I check outside for her, within the confines of the rear and empty parking lot adjacent to the hotel room inside my head. The parking lot is surrounded and secluded within the perimeter of several tall and some yet even taller still buildings and cityscape; and the parking lot, adjacent to the hotel room? It too is inside my head. It is the parking lot inside my head. It is empty, if we do not count me, as I am standing there. Alone. Alone with my uncertainty.

New Orleans and the South as Filtered by Numpty Abroad

I am not accustomed to the foreign affairs of the common folk walking the French Quarter adornments of Bourbon Street with open containers, nor am I in equal measure accustomed to the cobblestone stumbling of the before mentioned, namely myself enjoying alcohol laden libations as I meander down River Street in Savannah, Georgia in search of secret treasures for the senses, whether they take the form of old buildings, old stories, proposition in prostitution, voodoo and hoodoo gift shops, tales of ghosts, passing relic steamboats and modern freighters alike, live music, and Catfish—the later breaded to perfection, a fluffy, light, and delicious surprise with every bite. Both places have become tourist powerhouses akin to an ancient dinosaur innocently walking into a tar pit. However, I can’t help myself for being both predator and prey to a location that allows me to do nearly all of my favorite things, simultaneously, or at the very least, in rapid succession of one another.

There is a magic to seeing places I have only read about since I was a child. I absolutely have had the assisted lens of television and the silver screen to paint pictures of false pretense in two dimensional simulacrum, but the real treasure is to walk amongst the bonanza yourself. “Midnight in the Garden of Good and Evil” is largely responsible for the second gold rush of tourism afforded to Savannah, Georgia—while New Orleans has obtained the golden age of post-Lent celebration, Mardi Gras, from its predecessor Mobile, Alabama, which celebrated this holiday long before it became the staple character of New Orleans demographic. My second cousins who all live in Mobile, Alabama shared this interesting fact with me while I had the privilege of their company for a few days, playing a house show at my cousin’s place. What a privilege this has all been. To see the Redneck Riviera, as my cousin Bill put it, was a treasure: Bayou La Batre. He punctuated my visit with jokes such as this: 

“What do you call a beautiful woman in Bayou La Batre?”, he asked me with a small grin.

I said, “I don’t know, Bill.”

“A visitor.”

… and speaking of beautiful women.

I was briefly the prey of a lady of the night while in New Orleans, operating with a charisma that was quite intoxicating, far beyond what I had been pouring into my person throughout the evening. She was dark and fit and lovely as a mistress as she passed by me with compliments accentuating my masculinity, and initiated the conversation with an assurance that there was nothing in the direction that I was walking in—I asked her how she knew that. She assured me, “because I just came from there.” I playfully mirrored her approximations by assuring her that there was nothing in the direction she was heading. She asked me why I thought such? I assured her, because, “I just came from there.” And while she did shower me with peppered compliments of “gorgeous” and the like—I could not help but feel the salt seasoning being poured in unscrupulous quantity and appetite on my wounded wallet for her consumption. I will however, kindly accept her bouquet of accolades and admire their freshness of uncut potential. It would be a small feather in a hat that I wasn’t necessarily wearing anywhere else, aside from my own imagination.

I became the second-hand tourist on a musician’s budget, listening to ghost stories told on old and ancient streets described by Anne Rice, yet narrated by a young lady, her congregation of paid acolytes, following her every word and movement down a dimly-lit thoroughfare. My ease-dropping was brief, for I never wish to overstay my welcome, especially when it involves the livelihood of another, so it was to be only brief punctuations of dread and fright for me on that evening—both in the realm of storytelling, and gambling for that matter. You can do that in New Orleans as well—and I pursued this vice, if only momentarily in the one casino afforded to the city by ordinance. However, with a $25 dollar minimum buy-in on a hand of Blackjack, my appetite went un-satiated, aside from being given a brief form of entertainment watching many a gambler bet away or receive their fortune for an evening. However, when my interest ran its course, I was back out into the evening to sponge up more of what was to be had in the French Quarter. 

Frenchmen Street gave me a bit of what makes my heart sing: jazz and groove music being played by the best musicians that the United States has to offer. I drank my wine and listened to the language of their improvisation with an eager ear and appetite for cold drink and warm jams on a breezy night. Jazz Fest had been cancelled this year, and I tried in vain to use this as returned selling point for booking a few house concerts in the area for myself—I was initially turned away by house concert hosts because of Jazz Fest’s occurrence during my planned occupation. Despite the demise of the festival this year, I had a small taste of what it would have had to offer: a large assortment of college-age students playing inspired renditions of the theme song from the movie “Halloween”, as a groove tune, leaving no stone unturned with tension and release and old scales rarely heard in the realm of pop music. Heaven can be found in the mustached-villain twist of a half-whole scale, modal variations, diminished and augmented approaches over altered dominants, and any number of other fanciful music being spoken, with the effortless of conversation, that are common place when listening to an art form, under appreciated in its difficulty and mastery by the performer, to the common listener.

However, despite all of this goodness, and badness: my first order of business when arriving in New Orleans, was to find The Natchez. I speak eagerly of this vessel. It is like an old friend. It’s a steamboat on the Mississippi River, named after a city. It is still functioning, and still doing its good work for fine folk wishing to see the splendor of the great Mississippi River. I had no greater wish in my heart that to see it with my own eyes, after reading of its exploits in the words of Samuel Langhorne Clemens. Alas, my efforts were to no good effect, satiated. There was an empty dock. My inquiries (only after further strolling down the river, mistaking another smaller boat for The Natchez) proved to be found with the sad news of its repair for several weeks in maintenance, perhaps from the recent hurricane.

There was evidence of this everywhere, in the neighborhood in which I stayed, which was just outside of the French Quarters: large piles of tree trunks and branches piled to the 15 or 20 feet high, occupying precious sidewalk and street space, the later with tremendous water damage. The drive in to New Orleans, was the most revealing evidence of heartbreak, as I witnessed tremendous amounts of homes, left to Lucifer matches, with little evidence that the pile of rubble was ever a living quarter for a loving family. Entire roofs missing. Tremendous holes punched into the sides of both commerce buildings and residence, alike. Given that it has been months since the original occurrence of the event, it can only be said that I feign the sight New Orleans and its residents at the storm’s recent precipice.

I have, dear reader, been a sponge. A murky little sponge that perhaps belongs on the bottom of the ocean, but has found itself meandering amongst new places in search of joy. It has been my wish to see new things while I play new things for new people. I have done all of these things, and continue to do so today. I am off to go explore Charlotte now. May this find you smiling and well.

Mount Airy, North Carolina

North Carolina

Perhaps it was in my best interest to be reminded of seasons yesterday, as it would appear I have long forgotten their existence, having nearly spent an equal number of years away from the mighty oak and maple trees that garnered awe and splendor during the fall and autumn of my youth in the San Joaquin Valley. 

But, at present, my eyes are greeted by gold and red foliage mingling playfully along the sides of Interstate 77 in North Carolina, in direct contrast to a place where no such color can be read on the palms of Mother Earth, as if there were ever futures to be told on such appendages: tall tale or none at all, atop one hundred vertical feet of Mexican Palm Trees lining a never-ending residential thoroughfare, in the circuit board cities and towns of Southern California.

My host and audience guest both corrected me on the use of my “the” in front of their 77, when referring to Interstate roads—it was, after all, the horse I rod in on yesterday from the bearded Spanish Moss Oaks of Savannah, Georgia—to play Mount Airy, along the boarder of North Carolina and Virginia. 

It was also just an innocent little determiner, minding its own business, but seemed to be a fleeting point of interest amongst the locals, as it pointed inexorably towards my “California” point-of-origin—and I could have sworn that this notion was imperceptibly tucked away under my t-shirt collar; in truth, I momentarily found myself this week’s masked villain on an episode of “Scooby-Doo Where Are You?”, before resuming my honorary position in the Mystery Machine, searching for clues, and fans of my music.

I assure you, my intentions are quite playful and benign in mentioning this short anecdote under such light, much as their teasing was, in equal measure. I’ll happily pet a baby goat in jest and metaphor, amongst new friends and libations: and we bestirred such in copious quantity. The kid and kidding just found its way inside our conversation as we drank and talked.

Mt. Airy, North Carolina

I played for three very intent listeners last night in the birthplace of Andy Griffith, and the basis of Mayberry in the Andy Griffith Show. Jerry was kind enough to invite me into his home on a Monday to play a house concert for any folks who would be willing to listen on a school night. I am deeply appreciative of his hospitality and for opening his home and heart to me for an evening. We shared many a good story afterwards. He spent years as a youth minister and is a professional musician himself, and I feel both of these notions become immediately apparent and indelible in his company.

He has all the performers he has welcomed into his home, sign the inside portion of a door that leads upstairs from his kitchen. The door is sweetly adorned by the drawings and well wishes of a many a performer who have graced the presence of his living room, either acoustically or with a modest amplification setup. I appraised the given situation and decided that it would be best to play acoustically for such an intimate audience of folks. It was one of my favorite shows of this tour considering the conversational nature of its presentation, and I enthusiastically added my small contribution to his door.

I am a bit apologetic to anyone who finds pleasure in reading these small anecdotes from my life, as I would like to add to these stories more often within the scope of this blog that I affectionally refer to as INSIDE my HEAD. It has proven to be a bit challenging to keep up with social media posts for this tour, let alone to write consistently here on this website, in between the driving, sightseeing, playing music, and the conversations had along the way with hosts and guests within their homes. I am doing my best though to share what’s bouncing around in between my ears, like a kid who’s had a bit too much sugar.

I arrived at my Aunt’s house this morning who lives right below Charlotte in a small town called Fort Mill, South Carolina. It might give me a bit of an opportunity to catch up with you all, before the tour really kicks in to high gear on Thursday, with nearly back to back shows through to next Wednesday. I just picked up a last minute concert in El Dorado, Arkansas, thanks to my friend Chris Loggins. Good times are ahead and I hope that this finds you all enjoying yourselves as much as myself.

My new album is called ϕ and is currently available for your listening pleasure on all streaming services. You can find it here if you fancy: NEW ALBUM LINK I’m having a great time sharing it with new people all over the United States.

WHO IS MIKE VITALE?

I am a storyteller, singer, songwriter, music producer, traveling musician, Jungian dream analyst, all-around curious fellow (Spiritual, Mathematical Historical, Scientific), Taoist, and much much more, based out of Los Angeles, California. I’m constantly releasing new music, in all sorts of different genres. You can listen to me below, on Spotify:

SOCIAL LINKS

UPCOMING SHOWS

Houston, Texas

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The Houston, Texas House Concert was a huge success and I met and had the opportunity to play for some absolutely wonderful folks, from all walks of life, and from many different countries, who have all found themselves coming together in their own home community to hang out and listen to a songwriter from Los Angeles, CA.

I was told by my new friends that hosted the event, that we had about 50 or 60 people on the yard listening to me for the first set, before the concert

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was interrupted by a brief shower—which I am coming to find is sometimes common this time of year in Houston? To be completely honest, I don’t know that for certain. No one in particular really provided any sage wisdom on the subject—there was much discussion of rain and its frequency in the weeks leading up to the event, albeit in passing, by text or email. I’m a human being, and sometimes I operate under assumptions, so bear with me if you are from Houston and are thinking, “self, this guy doesn’t know dick about Houston and its weather.” You would be correct—and there is no need for that language.

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There are some things in life that are deeply refreshing to the soul of an artist, if I may be so bold to refer to myself in such a manner, on both fronts: spiritually and artistically. I do make art, and I am hardly recognized in a scope outside the realm of individuals who may have heard my name in passing or have lived within southern California for the past 20 years or so—and have blessed me with their company throughout the years while I have occupied the space of a stage, playing the music of my life. So, imagine my surprise to see all of these people here in Houston, Texas. I found myself asking them, “ so what are all you beautiful folks doing here tonight?”

The truth of the matter is that I have had some wonderful hosts not only here in Houston, but also in Austin, and San Antonio, who took the time to invite friends, family, and colleagues out to hear me play some music and to give me the opportunity to entertain them for an evening. Beyond this, I have never been to the southern United States before the month of October, with the exception of what states I visited in the earlier portions of my tour in August and September of this year. I am writing this to you from New Orleans, Louisiana. I have never been here before either.

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If I may share something with you: I made it my goal several years ago, to travel the United States, on the back of my own music. I maintained and stayed true to this desire for more years than I care to admit—and while I have lost my way on several occasions, I feel some levity and forgiveness should be afforded—considering the immense amount of things I have had to teach myself in order to get to where I have arrived this year. This was an intention I had been planning to execute in 2020—well, before COVID-19 delayed these events. However, they were originally conjured many many years before that by a kid from Visalia, California that dreamed of traveling the world playing the music that he wrote.

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In order for me to accomplish this though, I needed to learn how to make friends everywhere I go, to network, to multitask, to be my own boss, to be kind to myself as my own employee, how to write a song that people would want to listen to, how to be earnest in my art, how to write creatively, how to have a basic understanding of marketing, how music works in theory, how to arrange music, how to produce it, how to communicate with artists (as we are sensitive folk at times), how to be mildly charismatic (or even funny at times), how to use social media, how to create a website, how to influence search engine optimization, how to operate as my own record label, how to generate a mailing list, how to say “no” to some things, how to say “yes” to nearly everything, how to accept the kindness of others no matter what your pride has to say on the matter, how to maintain my pride through embarrassment and mistake (regardless of how subjective or objective either may be), how to know what I want and to pursue it to the best of my capability, how to create social events for my community, how to record, how to mix music, how to communicate with people that are experts at sound and mixing, how to do graphic design, how to explain what I am picturing in my head to someone helping me to realize whatever that creative thing might be, how to publish music and what are the necessaries to collecting money in a constantly fluctuating business model, how to shoot video, how to edit video, how to organize my own tours, how to do a tour in a cost effective manner that allows me to come back in the black, how the ego leads to the use of passive aggressive behavior and how to not behave passive aggressively, how to simply ask or express to someone that what he or she did does not make you feel good, how to ask if someone wants your opinion before giving it, how to not jump to conclusions, how to realize when someone is trying to convince you of something, how to apologize and when to say thank you, how to deal with a heckler in an audience, how to show appreciation for the kindness of others (always), how to be patient, how to push myself out of my own comfort zone in order to grow, how to deal with moving somewhere new where you don’t know anyone or have any friends, how to be the best version of myself and to live with as much kindness in my heart as I can muster, how to not dwell…

I know that deep in my heart and recollection, there is more than this. But, this is what I could think of over a cup of coffee in my hotel room. Everything is a work in progress too. But, have no doubt: all of these things play into trying to realize a dream, by my own approximation. Mine is not fully realized—but in equal measure, I realize that “life is a dream, and we are the imagination of ourselves.”

So, Houston—John and Neda: thank you. I am patient. I am resolute. I am grateful. I am taking notes. There is much to learn and much to teach when the time is right—and there is much to see. Please excuse me dear reader. I’m going to see more of New Orleans right now. It is beautiful and rich with unexplored treasures.

Greetings from Austin!

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It has been a bit of a whirlwind week for me—following a hurricane week, and a monsoon week the previous before that.

I am in Austin, Texas now, playing my second show of the tour this Saturday October 9th.

Texas is quite beautiful.

The album is now available on all streaming services and I am in full swing trying to meet with management and booking agents here is Austin during the Austin City Limits Festival. This has been a more recent development in semi-bold efforts.

Regardless, I will be playing my music in the southern United States this month, either way. If my name were Justin Bieber, I'd be a Belieber—and it's not, but I still am.

Lots of love y'all.

- Mike

PS

The dates listed above are open to the public with an RSVP. If you anyone that would want to attend, just reach out. The Timmermans are inviting out a bunch of family that they have in Houston, Texas. You are more than welcome to do the same. Just send me a message.

ϕ by Mike Vitale

The album that I am releasing right now has been a labor of love for me. It is called φ, or Phi. I have worked on it since 2017.

Phi is an irrational number (like my ambitions)—and like Pi, except Phi deals with spirals and is derived from the Fibonacci sequence—the sort of spirals you see in a pine cone, a pineapple, or the spreading of leaves on select plants to garner maximum sunlight—or the spiral of a milky way galaxy that we all live in.

Some of us derive significance from such things. Others? Not so much. It isn’t a necessity after all. Perhaps it’s just a way to pass the time—and I do that either way.

Curiosity and living life itself, is a fine enough sentiment to cue the music to: so I do—and then give it a queue to rest in: 12 songs to be precise, if precision were ever something a human being truly achieves.

I find us all to be an amazing and beautiful curiosity. A wonder. A joy. A miracle. As I age, I only become more enamored with us all, and what our purpose is here on Earth. Each of us.

For me, it feels like it is to write music about my life, both the good, and the bad—and to share it with as much honesty as possible, so that people may know that they are not alone in the way they feel. To play these songs for as many people as possible. To share my life, openly for those who care to listen.

… and although happiness may hardly need such expression or sentiment—heartbreak certainly does. There are so many of us out there that are hurting. I try to help in my own way.

Much like any song, or curiosity, or memory, or thought, or expression—or human being for that matter: we all matter. We are made of it, and we pass in conjunction with it, with each moment we are lucky enough to perceive.

May we all find our purpose and keep on doing and being the best version of ourselves. I try really hard every day to be that.

These 12 songs, available on all streaming services right now, are my life, written in music and melody and words: they are as much for you as they were cathartic for me over the past several years. I am thankful for you dear reader. Know that.

Here is a portal to all the things (you can also click that beautiful album cover up yonder):

CLICK ON ME TO LISTEN TO THE NEW ALBUM

Gone by Mike Vitale

Gone is now available to listen to on all streaming services. You can find it on your preferred service by either clicking the album cover or at this link right here:

GONE | NEW SINGLE

Home by Mike Vitale

Somewhat embarrassingly—or probably more accurately, just in time: I wrote the chorus of this song well over ten years ago. However, that is where the song stopped. For the life of me, I had nothing more to provide to the contents of its possession. It had no walls or interior in which to stretch one’s legs, or to relax comfortably on the couch and admire its inner being. It had no kitchen to create soul food. It had no bedroom to make love, and to rest a weary head—let alone two—and so it sat, in my creative nexus, forgotten and alone, looking for a mate. No verses. No Pre-chorus. No body. No arms or hands to softly caress the listener. No legs to dance on.

I moved from Fullerton to Anaheim to Long Beach. Nothing.

Finally, I moved to Los Angeles, California and met a girl who became its muse. She provided inspiration that manifested several verses—and the verses reverberated, yet, not off of walls or roof or floor—but off of a person. People. They are home—more so than any bed in a room, in a floor plan, of a wooden house, on a block, in a neighborhood, in a town or city, could ever be.

Home is now available to stream on all streaming services here or by clicking the album image above:

STREAMING SERVICES

Empty Circle by Mike Vitale

Leave it to me to forget to post this song, the day before the next single comes out.

This is the third of five singles I will be releasing consecutively, leading up the release of my full LP called ϕ

Empty Circle is one of my favorite songs on the album. It was written in retrospect to a particularly difficult portion of my life. Hindsight is 20/20, some people say. There is a deep well of truth to that notion—yet, there is also a particularly poignant lack of definitive answers to any questions we ask the mysterious 8-ball of life, or ourselves for that matter. We oscillate within the frequency of our own convictions and heart. Ever changing—sometimes instantaneously—sometimes on the plank of our own decisions at sword point on a villainous vessel of plight and circumstance.

We also just blow things out of proportion sometimes—like a balloon that doesn't quite know its own limitations—or like something just full of hot air.

It's our own reflection on the matter in hindsight, that lets us file these memories with some sort of archaic Dewey Decimal System for later study in the annals of our own life. Perhaps we can work hard to find meaning and improvement and personal growth in the library of our human experience—or we can chatter away with whomever, while the librarian inside our skull exclaims with a shoosh that we are far too loud in a sacred place of study.

Just like the little boy protagonist in this song, lost in the woods: I saw my own footprints in the snow, and became excited—only to discover that the trail of footprints were in fact, my own—I was walking in a giant circle, truly lost, cold, and all alone.

This one is called Empty Circle. You can listen to it on your favorite streaming service, here:

https://songwhip.com/mikevitale/empty-circle

As a small side note: thank you to all the wonderful people who find meaning in the tune, and have been adding it to their playlists on Spotify and so forth. I am humbled with appreciation for the gesture of sharing. I balled my eyes out writing this song. May someone find comfort in it knowing they too are not alone.