Mark Twain | A New Single August 18th 2023

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Samuel Langhorne Clemens

My next single is being released on August 18th on this year of our Lord, 2023. It is probably the most convoluted story I have ever told—perhaps beside The Incredible Shrinking Brain—but we will save the later for a different day.

Mark Twain. It’s a brilliant pen name for Samuel Langhorne Clemens. It’s riverboat slang. It was also the pen name of another riverboat pilot who wrote for a Riverboat Almanac. Samuel Clemens stole the idea from him. He admits to this notion in his book entitled “Life on the Mississippi.”

Regardless, it is a brilliant pen name if you examine it for what it is and what it represents. Mark Twain is a measurement of depth. Sounding boats and sounding poles were used by those navigating the murky waters of a muddy river that we are all familiar with as American Citizens: the Mississippi River. It has no rocky foundation to its deepest depths. It is a muddy river. It constantly changes in depths and sizes naturally due to this proclivity endowed to rivers of such quality. However, because of this—it is dangerous. A riverboat can easily run ashore, or find the unwelcome sand of a shoal, if not constantly checking the depth of the river using sounding boats and sounding poles. This is where the notion of marks and numbers come from. These depths would be shouted by those using the sounding poles, to measure depth, to those listening for their instruction as they piloted the vessel.

The Mississippi River in Hannibal, Missouri

Mark Twain means two fathoms deep. It is the cut-off between dangerous and safe passage. Mark Twain is the shallowest depth in which a riverboat may pass without peril or hazard. Mark Twain is the convergence of safe and dangerous; it is the point in which these two opposing outcomes meet.

Moving forward with this as a title—I found a curious story regarding Samuel Langhorne Clemens and Halley’s Comet:

Halley's Comet appeared in the sky when Mark Twain was born in 1835. The comet moves in a seventy-five or seventy-six-year orbit, and, as it neared Earth once again in the year 1909, Twain said,

I came in with Halley's Comet... It is coming again ... and I expect to go out with it... The Almighty has said, no doubt: 'Now here are these two unaccountable freaks; they came in together, they must go out together.'

Hannibal, Missouri. Samuel Langhorne Clemen’s Childhood Home

Sure enough, he died on April 21, 1910, just as the comet made its next pass within sight of Earth.

I was born on April 21st 1979. That has no relevance to this story, and I’m sure it is quite coincidental.

This song, that I am releasing August 18th, tells the story of Halley’s Comet and our Sun. It also, can stand for something completely different. It can be representative. Metaphor. Hyperbolic. Whatever the case may be: I am proud of its words and music and to be releasing it as I hear it in my head. It is a tip of my hat to someone I admire and a love letter of sorts to a romantic idea. I can’t help but be carried away by the trade winds of whimsy. I prefer it, as I can’t imagine life without my creativity to put wind in my sails in the first place.

For you.

May we all be friends and find the beauty in one another, no matter how difficult or easy that proves to be, ultimately. Perhaps—perhaps there are intrinsic links that bind us all to one another, if not just within the matter which makes everything, the gravitational forces caused by mass and its manipulation of spacetime, and the loosely understood physics of such.

You can pre-save the song at this link:

PRE-SAVE LINK

SOCIAL MEDIA LINKS

UPCOMING TOUR DATES

Chattanooga, Tennessee Show August 6th at JMac's

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Chattanooga, Tennessee Friends, I am back at JMac's this Sunday August 6th playing music I wrote at 7pm. It's a private show and tickets just went on sale today at this link for $10:

https://ticketstripe.com/Mike_Vitale_Aug_6

In case you don't remember me...

Short Bio:

Imaginary astronaut and singer/songwriter Mike Vitale has decided to punch holes in his own analogy to create stars as a backdrop for his latest inner-space journey DESERT DOGS—an album he is fullishly releasing, one single at a time, throughout 2023 and early 2024, in order to continually inundate both suspecting and unsuspecting bystanders with troubadourian exploits of waxing and waning pandemic meanderings, mental flatulence, stories—what have yous—carefully laid over predetermined blocks of music. What am I trying to say in third-person? Witness this monkey, playing music he wrote, with his imagination. Can I get a witness?

UPCOMING TOUR DATES

COYOTE is Now Available to Stream and Purchase

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This song is a tip of the hat to the great cowboy country writers of the 1950’s, to Mark Twain (quite possibly one of the funniest people I have ever read), and to the end of a long pandemic—finally being able to appreciate the fact that I can tour again, and to count the many blessings of good health and the freedom to roam that which has never been explored by me. I am so very lucky. We are all so very lucky to live in such a beautiful country full of natural splendor.

Link to stream: https://www.songwhip.com/mikevitale/coyote

Link to purchase: https://mikevitalemusic.bandcamp.com/track/coyote-2

Thank you to my friends who worked on this with me:

Coyote

words and music by Michael Patrick Vitale

Vocals, Background Vocals, Acoustic Guitars, Upright Bass, Wood Blocks - Mike Vitale

Drums - Evan Stone

Background Vocals - Anastasia Flionis

Produced by Mike Vitale

Engineered by Mike Vitale, Evan Stone and Anastasia Flionis

Mixed by Ryan Lipman

Mastered by Mark Alan Miller

"Coyote" | New Single on Streaming Services May 26th 2023

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Hey everyone,

I will be releasing my first single for the new year on Friday May 26th 2023. It is by far, one of my favorite cuts from the new album. It's a song called "Coyote."

While I do come from a generation more accustomed to the idea of releasing an album all at once—perhaps this is no longer a wise decision as an artist in 2023. Doing my due diligence, I am confident that the model of releasing one single at a time may be—better.

So, that is what I will be doing. 

I am uploading this single to be digitally distributed, today, for an official release date on Friday May 26th 2023. You may pre-save my single on your favorite streaming service; I was told that it helps to secure a place on popular Spotify playlists. I would be honored to have you do that if you feel inclined. Do whatever feels good for you though. I’m not even sure that it doesn't anything meaningful aside from just reminding you when it comes out (which would be lovely). Here is a link pre-save:

https://distrokid.com/hyperfollow/mikevitale/coyote

I am very proud of all the hard work that I put into this album and this song. I would like to do it justice by releasing it with as much authenticity and sincerity as possible. I create my music in this way—I plan to release it with an equal amount and measure of heart and sincerity.

My compass is the chills I get up and down my spine when I work on art. Losing track of time. Accidentally being late to things because I was having so much fun making something with all my being and soul. It's my inside poking out like the tag on the back collar of a T-shirt.

This song's inspiration came from touring the United States in 2021 after a long pandemic filled with isolation, self-reflection, and rumination. It was one of the most beautiful experiences of my life, having the opportunity to see the Rocky Mountains. To drive through the beautiful national park between Pennsylvania and New Jersey. Who knew that was there? Not me—that is, until I was balling my eyes out because of its beauty and depth. The endless stretches of desert between Arizona, Nevada, New Mexico, Utah, Texas...

We live in such a gorgeous and diverse country filled with beautiful people. I am grateful and on my hands and knees every day for the privilege of getting to do what I do. It's also incredibly difficult, exhausting, contentious, dynamic, emotional, introspective, risky—and the most rewarding thing I can think of doing with my life—yet still, a privilege. Without a doubt. May I strive to continuously stay within the good graces of Fortuna, Hotei, Ganesha, Jesus, Muhammad, The Way, Yahweh, My Inner Voice, and every other personification and archetype of human experience, story, and history that pertains to the spreading of positive creation in this world. I am a student. I have much to learn until the day I breathe my last breath.

I am a 44 year old man who is trying his best to leave this place a little better than how he found it. Even if all my efforts are akin to just vacuuming the floor, dusting and tidying the place up a bit before the next tenant stays the night in this AirBnB we call Mother Earth, I am confident I will never regret how hard I work. Ever. I will not be an old man sitting on the porch thinking, "what would my life had been like, had I actually applied myself where my heart and soul pointed?"

Instead, I am endlessly strolling. An old desert dog. Amongst sage brush, and bunch grass, and cactus and fog. Slender and gangling my bush tail sags, as I trot through the desert: the cliff face and crags.

You might here my faint howl, when the wind carries my song just right.

ϕ by Mike Vitale

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The album that I am releasing right now has been a labor of love for me. It is called φ, or Phi. I have worked on it since 2017.

Phi is an irrational number (like my ambitions)—and like Pi, except Phi deals with spirals and is derived from the Fibonacci sequence—the sort of spirals you see in a pine cone, a pineapple, or the spreading of leaves on select plants to garner maximum sunlight—or the spiral of a milky way galaxy that we all live in.

Some of us derive significance from such things. Others? Not so much. It isn’t a necessity after all. Perhaps it’s just a way to pass the time—and I do that either way.

Curiosity and living life itself, is a fine enough sentiment to cue the music to: so I do—and then give it a queue to rest in: 12 songs to be precise, if precision were ever something a human being truly achieves.

I find us all to be an amazing and beautiful curiosity. A wonder. A joy. A miracle. As I age, I only become more enamored with us all, and what our purpose is here on Earth. Each of us.

For me, it feels like it is to write music about my life, both the good, and the bad—and to share it with as much honesty as possible, so that people may know that they are not alone in the way they feel. To play these songs for as many people as possible. To share my life, openly for those who care to listen.

… and although happiness may hardly need such expression or sentiment—heartbreak certainly does. There are so many of us out there that are hurting. I try to help in my own way.

Much like any song, or curiosity, or memory, or thought, or expression—or human being for that matter: we all matter. We are made of it, and we pass in conjunction with it, with each moment we are lucky enough to perceive.

May we all find our purpose and keep on doing and being the best version of ourselves. I try really hard every day to be that.

These 12 songs, available on all streaming services right now, are my life, written in music and melody and words: they are as much for you as they were cathartic for me over the past several years. I am thankful for you dear reader. Know that.

Here is a portal to all the things (you can also click that beautiful album cover up yonder):

CLICK ON ME TO LISTEN TO THE NEW ALBUM

Gone by Mike Vitale

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Gone is now available to listen to on all streaming services. You can find it on your preferred service by either clicking the album cover or at this link right here:

GONE | NEW SINGLE

ϕ by Mike Vitale | Digital Release of Full Album on September 21st 2021

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Hey Friends, I'm proud to announce that my new album will be released to all the digital streaming platforms this summer on Tuesday September 21st 2021. The album is called ϕ (phi).

If you are a Spotify user, here is a pre-save link for the new album. Supposedly, having people pre-save the album and the singles, is very helpful for getting onto Spotify playlists, which would be a boon to its reach to new ears, so to speak—so I would be honored to have you do that, should your kind heart be so inclined:

PHI
https://distrokid.com/hyperfollow/mikevitale/phi

Here is the official release schedule for every single as well as the titles being released as singles.

Tuesday August 17th 2021 - TIME MACHINE
https://distrokid.com/hyperfollow/mikevitale/time-machine

Tuesday August 24th 2021 - YOUNGER DAYS
https://distrokid.com/hyperfollow/mikevitale/younger-days

Tuesday August 31st 2021 - EMPTY CIRCLE
https://distrokid.com/hyperfollow/mikevitale/empty-circle

Tuesday September 7th 2021 - HOME
https://distrokid.com/hyperfollow/mikevitale/home

Tuesday September 14th 2021 - GONE
https://distrokid.com/hyperfollow/mikevitale/gone

Tuesday September 21st 2021 - ϕ (phi - FULL ALBUM)
https://distrokid.com/hyperfollow/mikevitale/phi

SUNDAY September 26th 2021 - FULL BAND ALBUM RELEASE SHOW at Alex's Bar in Long Beach, CA at 8pm (more details coming soon—this is bonus info for the folks kind enough to read this far into my post; thank you for caring and for loving and supporting me).

"Which Way Are You Goin'" | Jim Croce (Mike Vitale Cover)

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One of my friends and Patrons, Susn, asked me to learn a Jim Croce cover called “Which Way Are You Goin’”. At the time, I was completely unfamiliar with this song. It is from his posthumous album released shortly after his death.

To me, it seemed relevant to many of the things happening around the world right now, as well as, within the United States. The year is 2020, and we are still finding ourselves confronted with a reality in which people refuse to hear each other when we speak. Yes, it would be easy for you the reader to laugh at me boiling things down to something so simple, but I ask that you entertain this idea for just a moment.

So many of us do not listen to one another. We wait for the other person to stop speaking so that we may in turn, talk. It is my speculation that this is because we value our own insight, thoughts, and ideals over those of the others around us.

When we truly respect others, we listen to what they have to say. We don’t just wait to talk. We observe and weigh what was said. We compare it against our own thoughts and ideals. In the year 2020, I hope that people may achieve this feat. In 2021, and the many years to come, I hope that we can become a species more open to ideas that are not our own—that we make an effort to expand our horizons in order to better fill the frame of our perceptions of one another—that we are capable of respecting each other as living creatures with our own unique thoughts and feelings, trying to share such in an open forum of communication.

Given our current circumstance world wide amongst a pandemic, may we all recognize each other as the same fragile creatures simply trying to express what we are feeling and observing, so that others around us may understand, and listen.

Pandemics aside, our issue with not understanding each other, starts at not listening. Once we successfully listen, it is then our duty to open our mind to as many possibilities as we are capable of. Hypocrisy is the mortar of our own bricks of belief, a burden we carry around for ages, before deciding they are far too heavy to carry any longer as a burden, so, we build a wall with them instead.

Like any piece of art, this song can be interpreted in a number of ways, however, by my own approximation—it seems to lean into the wind of hypocrisy as a subject matter—something that I feel is the mortar to many of our walls: as humans, as cultures, and creeds, and so forth. There is worth and intention to walls. However, there is equal virtue to an open field—the later however leaves itself open to so much, both positive and negative in nature and intent.

May we listen more and remain open, like a field. May we make no effort to incite the building of a wall. May we remain hopeful and positive. May we reach out to one another with olive branches, and not spears.

Thank you everyone on PATREON for helping me to make this happen.

Vocals, Electric Guitar, Synthesizers, Bass, and Drums - Mike Vitale

Mixing and Mastering - Mike Vitale

Video Footage and Editing - Mike Vitale

“Which Way Are You Goin’” - words and music by Jim Croce (lyrics available within the notes of the Youtube video).

Superstition | Stevie Wonder (Mike Vitale Cover)

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Here is my arrangement of the Stevie Wonder classic, “Superstition.” I’ve been trying to apply myself to learning some new things—in the case of this video, I taught myself how to play and use a Native Instruments Maschine mk3, a Roli Seaboard Block, shoot video on a Canon Eon Rebel t5 with a lens and camera that my friend is letting me borrow, edit on Premiere Pro, and put to use knowledge from audio mixing tutorials by Andrew Scheps (who is a really wonderful teacher—not to mention mixing engineer).

Thank you everyone on PATREON for helping me to make this happen.

Vocals, Electric Guitar, Synthesizers, Bass, and Drums - Mike Vitale

Mixing and Mastering - Mike Vitale

Video Footage and Editing - Mike Vitale

NPR Tiny Desk Contest 2020: Dandelion Seeds is now live on the NPR website!

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As many of you probably remember from last year, I submitted a live recording of "Latchkey Kid (Live at Studio 333)" for the NPR Tiny Desk Concert Series. Everyone on Patreon helped to pay for the mixing of that song, which I am very thankful for. It is now available on Spotify and Apple Music.

Due to our current predicament, I am unable to record a song with the band, or to make a bigger production of it, so I opted instead to simply record the song at home and submit it on a zero budget.

This year I submitted my song "Dandelion Seeds" to compete in the contest, which is being judged by several radio DJ's as well as musicians. This year they have Bobby Boilen, Bobby Carter, Raina Douris, Tarik Moody, Quinn Christopherson, Brittany Howard, and Gina Chavez.

They just approved the song today and posted it to the NPR website, which has been great, because it’s been picking up some new plays and I’ve received a few new subscribers on Youtube:

https://tinydeskcontest.npr.org/2020/browse/?id=2889700

I'm always thankful for the prospective opportunity of new ears to listen to my art, and, above everything else: I hope that this finds you all in good spirits and health!

Dandelion Seeds | Mike Vitale (Original)

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“Dandelion Seeds”
words and music by Michael Patrick Vitale

We’re dandelion seeds in the wind
A couple kids playing pretend
Making wishes in the weeds
Reading our futures off of tarot cards and tea leaves

Wandering around the bend
With one hand on the steering wheel, the other on the bitter end
Reaching out towards the stars
Above a Hollywood sign and an ocean of cars

I have my opinion, but you’re full of your own
And there’s plenty of windshield time with our thoughts alone
And some could wage argue that truth is both moot and plural
Yet I’m still in love with the girl
Still in love with the girl

We’re dandelion seeds in the wind
A couple kids playing pretend
Making wishes in the weeds
Reading our futures off of tarot cards and tea leaves

Wandering around the bend
With one hand on the steering wheel, the other on the bitter end
Reaching out towards the stars
Above a Hollywood sign and an ocean of cars

I have my opinion, but you’re full of your own
And there’s plenty of windshield time with our thoughts alone
And some could wage argue that truth is both moot and plural
Yet I’m still in love with the girl
Still in love with the girl
I’m still in love with the girl
I’m still in love with the girl

If you are interested in learning more about me and my songwriting, engineering, production, and album making process—or would just like to be a part of my creative endeavors, check me out at http://www.patreon.com/mikevitalemusic

I have two albums that I’ve been working on to release this year. The first is Americana music, and the second is more world music driven! The Americana album is already available to listen to right now for $10 backers.

Heart-Shaped Box | Nirvana (Mike Vitale Cover)

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Here is an arrangement that I came up with for Nirvana's "Heart-Shaped Box". It would be an understatement to say that Nirvana had a profound effect on me as a musician. As a band, they inspired me to play guitar when I was 13 or 14 years old.

As an adult, I not only admire the musicianship and creativity of the group, but the songwriting craftsmanship of Kurt Cobain, not to mention his work as a lyricist. I admire and love the music as much as I did when I was a young man in Jr. High. I cried the day that Kurt Cobain died—I imagine, this emotional reaction was from a profound connection with the music being made.

Humbly, as a 40 year-old who grew up with Nirvana, I offer my interpretation of a song I loved when I was a freshman in High School at 15 years-old: 25 years ago.

"Straw Man" | Mike Vitale (Original)

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STRAW MAN | words and music by Mike Vitale

This here scarecrow became your straw man
You dress me up and put me working in the fields
Old crow hangin’ ‘round straw man
Eating them seeds before they ever bare yield

I was just a hollow set of clothes
Laying useless across the floor
Someone else had worked hard in me for years
Now I lay there dirty from a day of chores 

This here scarecrow became your straw man
You dress me up and put me working in the fields
Old crow hangin’ ‘round straw man
Eating them seeds before they ever bare yield

There was a time I felt brand new
Worn proudly on body lay
Now these worn and torn threads seem like old shoe
Good for nothing but to scare the birds away

This here scarecrow became your straw man
You dress me up and put me working in the fields
Old crow hangin’ ‘round straw man
Eating them seeds before they ever bare yield

Ain’t got a word in edgewise to say
Farmer’s got me tied and beat
Onlookers see me hanging right there whispering gossip ‘bout me from the street
They say, don’t got a leg to stand on
Ain’t got no foot in the door
That boys quite the strange phenomenon for all the crows to ignore

This here scarecrow became your straw man
You dress me up and put me working in the fields
Old crow hangin’ ‘round straw man
Eating them seeds before they ever bare yield

This here scarecrow became your straw man
You dress me up and put me working in the fields
Old crow hangin’ ‘round straw man
Eating them seeds before they ever bare yield
Eating them seeds before they ever bare yield
Eating them seeds before they ever bare yield

Thank you to everyone on Patreon for helping me to release art into the world—whether it be humble videos such as this from my living room, more professional efforts of releasing video, full length albums, or any other number of ways this original music is being propagated. A special thanks to Heather Renz, Fernando Gallegos, and Amy Armitage.