Verse 2 | Tao Te Ching | Relativity

“The concept of something or someone being beautiful is grounded in a belief system that promotes duality and judgment. This way of thinking is prevalent and commonplace for just about everybody in our culture, perhaps even having some value in society. I encourage you to explore the concept of paradoxical unity in this 2nd verse of the Tao Te Ching. By changing your thoughts, you can change your life and truly live the bliss of oneness.

Has it ever occurred to you that beauty depends on something being identified as ugly? Therefore, the idea of beauty produces the idea of ugliness, and vice versa. Just think of how many concepts in this “duality belief system” depend on opposites: A person isn’t tall unless there’s a belief system that includes short. Our idea of life couldn’t exist without that of death. Day is the opposite of night. Male is the antithesis of female.

What if you instead perceived all as a piece (or a glimpse) of the perfection of oneness? I think this is what Lao-tzu is suggesting with his description of the sage who “lives openly with apparent duality and paradoxical unity.” Imagine the perfect oneness coexisting in “the apparent duality, where opposites are simply judgments made by human minds in the world of 10,000 things. Surely the daffodil doesn’t think that the daisy is prettier or uglier than it is, and the eagle and the mouse have no sense of the opposites we call life and death. The trees, flowers, and animals know not of ugliness or beauty; they simply are . . . in harmony with the eternal Tao, devoid of judgment.”

“As the sage lives openly with apparent duality, he synthesizes the origin with the manifestation without forming an opinion about it. Living without judgment and in perfect oneness is what Lao-tzu invites his readers to do. He invites our wisdom to combine perceived opposites and live a unified life. The perfection of the Tao is allowing apparent duality while seeing the unity that is reality. Life and death are identical. Virtue and sin are judgments, needing both to identify either. These are the paradoxes of a unified life; this is living within the eternal Tao. Once the dichotomies or pairs of opposites are transcended, or at least seen for what they are, they flow in and out of life like the tides.

Practice being a living, breathing paradox every moment of your life. The body has physical boundaries—it begins and ends and has material substance. Yet it also contains something that defies boundaries, has no substance, and is infinite and formless. You are both the Tao and the 10,000 things simultaneously. Let the contrasting and opposite ideas be within you at the same time. Allow yourself to hold those opposite thoughts without them canceling each other out “. Believe strongly in your free will and ability to influence your surroundings, and simultaneously surrender to the energy within you. Know that good and evil are two aspects of a union. In other words, accept the duality of the material world while still remaining in constant contact with the oneness of the eternal Tao. The debilitating necessity to be right and make others wrong will diminish.

I believe that Lao-tzu would apply the Tao Te Ching to today’s world by suggesting the following:

Live a unified life.

Enter the world of oneness with an awareness of the propensity to compartmentalize everything as good or bad, right or wrong. Beautiful or ugly are standards of the physical world, not the Tao. Contemplate the insight that duality is a mind game. In other words, people look the way they look, period—criticism is not always necessary or helpful. See the unfolding of the Tao inside everyone, including yourself, and be at peace with what you observe.

Be a good animal and move freely, unencumbered with thoughts about where you should be and how you should be acting. For instance, imagine yourself as an otter just living your “otterness.” You’re not “good or bad, beautiful or ugly, a hard worker or a slacker . . . you’re simply an otter, moving through the water or on the land freely, peacefully, playfully, “and without judgments. When it’s time to leave your body, you do so, reclaiming your place in the pure mystery of oneness. This is what Lao-tzu means when he says, “When the work is done, it is forgotten. That is why it lasts forever.”

In other words, you don’t have to leave your body to experience forever; it’s possible to know your eternal self even in the embodied condition. When duality and judgment crop up, allow them to be a part of the perfect unity. When other people create dichotomies, you can always know oneness by practicing the Tao.

Accomplish much by trying less.

Effort is one piece of the whole; another piece is non-effort. Fuse these dichotomies, and the result is effortless action without attachment to outcome. This is precisely how you dance with someone: You make an attempt, assume a position, listen to the music, and let go all at the same time, allowing yourself to easily move with your partner. Combine the so-called opposites into the oneness of being without judgment or fear. Labeling action as “a fine effort” implies a belief that trying hard is better than not trying. But trying itself “only exists because of beliefs about not trying. Attempting to pick up a piece of trash is really just not picking up the trash. Once you’ve picked it up, then trying and not trying are irrelevant.

Understand that you can act without the implied judgment of words such as effort and trying. You can compete without being focused on outcome. Eliminating opposites paradoxically unifies them so that it is unnecessary to identify with one position. I imagine that in today’s language, Lao-tzu would sum up this 2nd verse of the Tao Te Ching in these two simple words: Just be.”

Excerpt From: Dr. Wayne W. Dyer. “Change Your Thoughts, Change Your Life.” Apple Books. https://books.apple.com/us/book/change-your-thoughts-change-your-life/id1435253551

Verse 2

Dale Translation


We know beauty because there is ugly.

We know good because there is evil.

Being and not being,

having and not having,

create each other


Difficult and easy,

long and short,

high and low,

define each other,

just as before and after follow each other.


The dialectic of sound gives voice to music,

always transforming "is" from "was"

as the ancestors of "to be".


The wise

teaching without telling,

allow without commanding,

have without possessing,

care without claiming.


In this way we harvest eternal importance

because we never announce it.


Verse 46

Lau Translation


The whole world knows the beautiful as the beautiful, and

this is only the ugly; it knows the good as the good and this

is, indeed, the bad.

Something and Nothing producing each other;

The difficult and the easy complementing each other;

The long and there short off-setting each other;

The high and the low filling out each other;

Note and sound harmonizing with each other;

Before and after following each other—

These are in accordance with what is constant.

Hence the sage dwells in the deed that consists in taking no

action and practices the teaching that uses no words.

It makes the myriad creatures without being their

  initiator,

It benefits them without exacting any gratitude for this;

It accomplishes its task without claiming any merit for

  this.

It is because it lays no claim to merit

That its merit never deserts it.


Verse 2

Ames and Hall Translation


As soon as everyone in the world knows that the beautiful are

beautiful,

There is already ugliness.

As soon as everyone knows the able,

There is ineptness.


Determinacy (you) and indeterminacy (wu) give rise to each other,

Difficult and easy complement each other,

Long and short set each other off,

High and low complete each other,

Refined notes and raw sounds harmonize (he) with each other,

And before and after lend sequence to each other—

This is really how it all works.


It is for this reason that sages keep to service that does not entail

coercion (wuwei)

And disseminate teachings that go beyond what can be said.


In all that happen (wanwu),

The sages develop things but do not initiate them,

They act on behalf of things but do not lay any claim to them,

They see things through to fruition but do not take credit for them.

It is only because they do not take credit for them that things do not

take their leave.


Verse 2

Walker Translation


When people find one things beautiful,

another consequently becomes ugly.

When one man is help up as good,

another is judged deficient.


Similarly, being and nonbeing balance each other;

difficult and east define each other;

long and short illustrate each other;

high and low rest upon each one another;

voice and song meld into harmony;

what is to come follows upon what has been.


The wise person acts without effort

and peached by quiet example.

He accepts things as they come,

creates without possessing,

nourishes without demanding,

accomplishes without taking credit.


Because he constantly forgets himself,

he is never forgotten.


Verse 2

Kwok, Palmer, Ramsay Translation


Beauty and mercy are only recognized by people

Because they know the opposite, which is ugly and mean.


If the people think they know goodness

Then all they really know is what evil is like!


Nothing, and Heaven

share the same root —

Difficulty and ease are a part of all work.


The long and the short are in your hands,

Above and below exist because they each do,

What you want and what you say should be the same…

Neither future not past can exist alone.


The sage has no attachment to anything,

And he therefore does what is right without speaking

By simply being

in the Tao.


Verse 2

Mitchell Translation


When people see somethings as beautiful,

other things become ugly.

When peoples some things as good,

other things become bad.


Being and non-being create each other.

Difficult and easy support each other.

Long and short define each other.

High and low depend on each other.

Before and after follow each other.


Therefore the Master

acts without doing anything

and teaches without saying anything.

Things arise and she lets them come;

Things disappear and she lets them go.

She has but doesn’t possess,

Acts but doesn’t expect.

When her work is done, she forgets it.

That is why it lasts forever.


Verse 2

Wilson Translation


Everybody understand the beautiful to be "beautiful,"

But this only creates the concept of "ugly" ;

Everybody understands the good to be "good,"

But this only creates the concept of "bad."


There can be no existence without nonexistence;

No difficult without easy;

No long without short;

No high without low;

And without the sound of musical instruments and

human voice, where would

their harmony—and cacophony—be?


Before and after only depend on which one follows first.

Therefore the sage resides in non-fabrication, and

conducts himself according to wordless teachings.

All objects in the world come into existence, but he does not judge them;

They are born, but he does not possess them.

The sage acts, but relies on nothing;

He accomplishes and moves on.

By moving on, he never has to leave.


Verse 2

Dyer Translation


Under heaven all can see beauty as beauty,

only because there is ugliness.

All can know good as good only because there is evil.


Being and nonbeing produce each other

The difficult is born in the easy

Long is defined by short, and high by the low.

Before and after go along with each other.


So the sage lives openly with apparent duality

and paradoxical unity.

The sage can act without effort

and teach without words.

Nurturing things without possessing them,

he works, but not for rewards;

he competes, but not for results.


When the work is done, it is forgotten.

That is why it lasts forever.

WHO IS MIKE VITALE?

I am a storyteller, singer, songwriter, music producer, traveling musician, Jungian dream analyst, all-around curious fellow (Spiritual, Mathematical Historical, Scientific), Taoist, and much much more, based out of Los Angeles, California. I’m constantly releasing new music, in all sorts of different genres. You can listen to me below, on Spotify:

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Small Victories

There are small victories for hard work. I do that: work hard I mean. Every day. It is not something to complain about. It is simply the way I derive meaning in my life.

Working hard. Being goal oriented. Manifesting my life. Willing my dreams into existence.

This morning I woke up to Buena Vista Social Club reposting one of my songs on their Instagram account.

https://www.instagram.com/reel/C7CTNoyvehQ/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

That is kind and lovely of them. 95% of the comments are kind. There are few that hate my rendition. Such is life.

I will focus on the positive though. This is a small victory. Back to work for me.

I hope this finds you all in good spirits.

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A New Kickstarter Campaign for DESERT DOGS

Friends,

I am releasing my new album DESERT DOGS this year, and I need your help to make it a success. It can be a success. It will be a success. It is all a matter of belief. I need you to believe in it.

I have never felt as strongly about anything I have done with my life, as I do about the skills that I have harnessed as a performer and storyteller, and the work I have put into this album

I would be honored to have you be a part of it. I have been playing original music since 2005, and 2024 is the culmination of my life’s work and efforts.

I need to raise a minimum of $25,000 as capital to make this album take off. This will not just be about marketing and videos. I explain this in full detail within the Kickstarter campaign which launched on Sunday May 5th at 9:15PM. If I don’t raise $25,000 by Sunday May 25th 2024, I get nothing. This is all or nothing.

I have a label that is interested in helping me to tour festivals with a full band after hearing my song SILVER LINING, which is the first track off of this album.

I have been getting up at 4AM every day since getting back from my last tour, to work on building a Kickstarter Campaign that explains not only why I need such a large sum of money, but also explains how upside down the music industry has become, how music as an album has been unceremoniously de-commodified in the eyes of consumers, and how difficult (almost impossible) it seems to pursue a full-time career in music, while keeping a roof over one’s head.

I need the love, support, and belief of people who are in my constellation, to lift me up on their shoulders and help me to achieve what I know is possible. I feel in my heart and soul that my dreams are possible, otherwise I would have given up long before this.

I have dreams at night that tell me this same thing.

I have watched many of my contemporaries give up. I refuse to. I know what my calling in life is. It is to tour the world playing music that will be helpful to the human race. I want to help. This is how I do it. So, in turn, I need your help. Do what you can, and I will as well.

This is a video I made, discussing the Kickstarter campaign in more detail, including what it is going towards and the reason why I am asking for such a substantial sum of capital to invest in my business:

If you are interest in learning more about this Kickstarter campaign, please visit this page to learn more:

http://kck.st/44seqP8

This is an all or nothing campaign. If I do not reach my $25,000 goal by Sunday, May 26 2024 9:15 PM PDT, I get nothing, and no one is charged who pledges an amount.

Thank you for your time, energy, support, and belief in my dreams in life. It is my everything. My joy. My love.


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You're Gonna Live Forever in Me | John Mayer

I love the sentiment of this song. It’s beautiful. It made me cry the first time I heard it. John has grown into such a wonderful songwriter. He’s always been special, but he only grows to new boundaries with every album he releases. May this trend continue as we grow old, together, in the same lifetime.

He starts with the Macro, and as the song progresses, into the Micro of Human Relationships.

It’s a stunning piece of work. If you are unfamiliar with the song, I highly recommend listening to it. He performed it on piano, but I have a deep fascination with adapting piano songs to guitar, so I did that with it.

Most importantly: we are animal, living symbiotically on a planet in orbit around a sun, which is one of a billion solar systems, orbiting around a super massive black hole, which is one of a trillion of other galaxies, in a rapidly expanding Universe. We are all part of that—and perhaps that is what so many religions describe in their sacred texts—simply asking or maybe urging: treat others the way you would want to be treated yourself, because we are all a small piece of the same thing, and we live eternally inside that. Forever and ever. Amen.

YOU’RE GONNA LIVE FOREVER IN ME

words and music by John Mayer

A great big bang and dinosaurs
Fiery raining meteors
It all ends unfortunately
But you're gonna live forever in me
I guarantee, just wait and see

Parts of me were made by you
And planets keep their distance too
The moon's got a grip on the sea
And you're gonna live forever in me
I guarantee, it's your destiny

Life is full of sweet mistakes
And love's an honest one to make
Time leaves no fruit on the tree
But you're gonna live forever in me
I guarantee, it's just meant to be

And when the pastor asks the pews
For reasons he can't marry you
I'll keep my word and my seat
But you're gonna live forever in me
I guarantee, just wait and see

WHO IS MIKE VITALE?

I am a storyteller, singer, songwriter, music producer, traveling musician, Jungian dream analyst, all-around curious fellow (Spiritual, Mathematical Historical, Scientific), Taoist, and much much more, based out of Los Angeles, California. I’m constantly releasing new music, in all sorts of different genres. You can listen to me below, on Spotify:

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Mark Twain | A New Single August 18th 2023

Samuel Langhorne Clemens

My next single is being released on August 18th on this year of our Lord, 2023. It is probably the most convoluted story I have ever told—perhaps beside The Incredible Shrinking Brain—but we will save the later for a different day.

Mark Twain. It’s a brilliant pen name for Samuel Langhorne Clemens. It’s riverboat slang. It was also the pen name of another riverboat pilot who wrote for a Riverboat Almanac. Samuel Clemens stole the idea from him. He admits to this notion in his book entitled “Life on the Mississippi.”

Regardless, it is a brilliant pen name if you examine it for what it is and what it represents. Mark Twain is a measurement of depth. Sounding boats and sounding poles were used by those navigating the murky waters of a muddy river that we are all familiar with as American Citizens: the Mississippi River. It has no rocky foundation to its deepest depths. It is a muddy river. It constantly changes in depths and sizes naturally due to this proclivity endowed to rivers of such quality. However, because of this—it is dangerous. A riverboat can easily run ashore, or find the unwelcome sand of a shoal, if not constantly checking the depth of the river using sounding boats and sounding poles. This is where the notion of marks and numbers come from. These depths would be shouted by those using the sounding poles, to measure depth, to those listening for their instruction as they piloted the vessel.

The Mississippi River in Hannibal, Missouri

Mark Twain means two fathoms deep. It is the cut-off between dangerous and safe passage. Mark Twain is the shallowest depth in which a riverboat may pass without peril or hazard. Mark Twain is the convergence of safe and dangerous; it is the point in which these two opposing outcomes meet.

Moving forward with this as a title—I found a curious story regarding Samuel Langhorne Clemens and Halley’s Comet:

Halley's Comet appeared in the sky when Mark Twain was born in 1835. The comet moves in a seventy-five or seventy-six-year orbit, and, as it neared Earth once again in the year 1909, Twain said,

I came in with Halley's Comet... It is coming again ... and I expect to go out with it... The Almighty has said, no doubt: 'Now here are these two unaccountable freaks; they came in together, they must go out together.'

Hannibal, Missouri. Samuel Langhorne Clemen’s Childhood Home

Sure enough, he died on April 21, 1910, just as the comet made its next pass within sight of Earth.

I was born on April 21st 1979. That has no relevance to this story, and I’m sure it is quite coincidental.

This song, that I am releasing August 18th, tells the story of Halley’s Comet and our Sun. It also, can stand for something completely different. It can be representative. Metaphor. Hyperbolic. Whatever the case may be: I am proud of its words and music and to be releasing it as I hear it in my head. It is a tip of my hat to someone I admire and a love letter of sorts to a romantic idea. I can’t help but be carried away by the trade winds of whimsy. I prefer it, as I can’t imagine life without my creativity to put wind in my sails in the first place.

For you.

May we all be friends and find the beauty in one another, no matter how difficult or easy that proves to be, ultimately. Perhaps—perhaps there are intrinsic links that bind us all to one another, if not just within the matter which makes everything, the gravitational forces caused by mass and its manipulation of spacetime, and the loosely understood physics of such.

You can pre-save the song at this link:

PRE-SAVE LINK

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Verse 26 | Tao Te Ching | Tranquility and Seductions

You will see many discrepancies with the translation of this verse. THIS is why I have so many copies of the Tao Te Ching, translated by various people. Translation—it's a strange strange beast. It's everything to truly understanding what is being conveyed.

Wow, this verse kicked my ass. I am very much guilty of losing sight of my tranquility. I could say that I let others take it from me—but that is not true.

I take it from myself. It does not matter what a person does or says: the response should be... nothing. Kindness. A smile.

I was just in a situation recently with an individual who pulled my ego out of me. Jung would refer to this, as an integrated shadow most likely. My shadow stood up for me. However, there are arguments to other courses of action. Choose-my-own adventure. That is life.

No matter what a person does or says to me: I need to be in control of my emotions. I need to draw my own boundaries when I feel that I am being pushed around or taken advantage of, or any number of other attributes or situations where my tranquility is being upended. My tranquility is my responsibility.

I have much to learn. I am also proud of myself for drawing boundaries with people. When someone says something to me that I don't agree with. Let them know, politely. Truth, my own truth, can be delicately laid. We do not need to be friends with every single person we meet in life. They deserve our respect, so long as they also respect us. If they do not, then there is no further conversation needed. Move on. There are 7.888 Billion people on this planet. Enjoy the company of another one of those from that lot.

What does Wayne Dyer have to say about this Verse? Let me skim and find out. Hold on. Well fancy that. He says much of what I just said:

LIVING CALMLY

"In this chapter of the Tao Te Ching, you’re being advised to maintain a sense of serenity regardless of what you may see taking place around you. Moreover, you’re being told that the true master knows that the ability to stay calm is always located within. From this perspective, there’s no need to assign responsibility to others for how you feel. Even though you may live in a world where blame and faultfinding are endemic, you will own your feelings and actions. You will know that circumstances don’t determine your state of mind, for that power rests with you. When you maintain a peaceful inner posture, even in the midst of chaos, you change your life.

The wisdom of this verse of the Tao Te Ching prompts you to know that you have a choice. Do you want to be in a state of confusion or to have a tranquil inner landscape? It’s up to you! Armed with this insight, the Tao master doesn’t allow an external event to be a disturbance. Lao-tzu tells you that assigning blame for your lack of calmness will never bring you to the state of being that you’re striving to attain. Self-mastery only blossoms when you practice being aware of, and responsible for, what you’re feeling.

This particular part of the Tao Te Ching is one that you’ll probably want to immerse yourself in repeatedly. After all, what could be better than the freedom of going through life without feeling that people and circumstances control you without your permission? Are you depressed? Irritated? Frustrated? Exhilarated? Ecstatically in love? Whatever your current state, if you believe that a changing economic picture or a tapestry of events taking place around you is responsible—and you then use these external factors to explain your inner state of mind—you’ve lost touch with your root. Why? Because you’re allowing yourself to be “blown to and fro” by the shifting winds of circumstance.

The solution for a life of unrest is choosing stillness. The quiet of the Tao is oblivious to any turmoil in the world of the 10,000 things. Be like the Tao, advises Lao-tzu: “The still is the master of unrest.” You have a choice in every moment, so you can decide to be a host to God and carry around with you the calmness that is the Tao, or you can be a hostage to your ego, which insists that you can’t really help feeling disorderly when you’re in circumstances that resemble pandemonium.

Here’s what Lao-tzu offers to you in this profoundly simple passage, from the profoundly simple life he chose 2,500 years before yours:

Vow to seek a calm inner response to the circumstances of your life.

In the midst of any kind of unrest—be it an argument, a traffic jam, a monetary crisis, or anything at all—make the immediate decision that you will find the calm center of yourself. By not thinking of what is taking place, and instead taking a few deep breaths in which you opt to empty your mind of judgments, it becomes impossible to mentally “flit about like a fool.” You have the innate ability to choose calmness in the face of situations that drive others to madness. Your willingness to do so, especially when chaos and anger have been your previous choices, puts you in touch with “the master of unrest.” There was a time when I thought this was impossible. Now I know that even in the most troublesome of times, my reaction is to choose stillness . . . the way of the Tao.

Don’t lose touch with your root.

With a written declaration or picture placed strategically in your home and workplace, remind yourself that no one can make you 26th Verse lose touch with your root without your consent. Affirm the following often: I have the ability to stay poised and centered, regardless of what goes before me. Then vow to put this new way of being into practice the next time a situation of unrest crops up. Do the mental work in advance and you’ll achieve the self-mastery that Lao-tzu refers to in this verse. More significantly, you’ll be in harmony with the Tao, which is your ultimate calling.

Verse 26

Dale translation

Inner strength is the master

of all frivolities.

Tranquility is the master

of all agitated emotions.

Those who succumb to frivolities

have lost their inner strength

Those who succumb to agitated emotions

have lost their tranquility.

The wise cultivate

inner strength and tranquility.

That is why they are not seduced

by addictive temptations.

Verse 26

Dyer Translation

The heavy is the root of the light.

The still is the master of unrest.

Realizing this,

the successful person is

poised and centered

in the midst of all activities;

although surrounded by opulence,

he is not swayed.

Why should the lord of the country

flit about like a fool?

If you let yourself be blown to and fro,

you lose touch with your root.

Verse 26

Mitchell Translation

The heavy is the root of the light

The unmoved is the source of all movement

Thus the master travels all day

without leaving home

However splendid the view

she stays serenely in herself.

Why should the lord of the country

flit about like a fool?

If you let yourself be blown to and fro,

you lose touch with your root.

If you let restlessness move you,

you lose touch with who you are.

Verse 26

Wilson Translation

The heavy fabricates the root of the light

The tranquil fabricates command of the flurried.

Therefore the sage puts one foot

in front of the other the entire day

But never leaves his heavy pack behind.

Though there may be glorious sights at hand,

His course remains high and detached,

as smooth as the flight of a swallow.

How will a lord of ten thousand chariots fool

with his empire as though

he himself has nothing to lose?

Act lightly and you lose your rootedness.

Act in a flurried way and you lose your command.

Verse 26

Walker Translation

Heaviness is the root of lightness

Tranquility is the master of agitation.

That is why the sage travels all day

without ever losing sight of her baggage

She may live in a glorious palace, but

she isn't attached to its pleasures.

Why should the lord of ten thousand chariots

behave lightly in the world?

One who acts lightly loses her foundation.

One who becomes agitated sacrifices her mastery.

Verse 26

Kwak, Palmer, Ramsay Translation

What holds, what you can trust

Is the same as this quietness—

and it is lighthearted.

This quiet light-hearted silence

Is the key to being free from emotion

The sage never abandons the Tao,

he never lets its weight out of sight.

He may live in a fabulous house

But he never gets caught up wanting to—

And through there are always temptations,

He stays unswayed, and smiles.

So why is it that our rulers

Seem so bright, but are

Glib and unsubstantial?

Losing the weight of the Tao

Means you lose your root;

And when you can't sit still

you lose

The source.

WHO IS MIKE VITALE

I am a storyteller, singer, songwriter, music producer, traveling musician, Jungian dream analyst, all-around curious fellow (Spiritual, Mathematical Historical, Scientific), Taoist, and much much more, based out of Los Angeles, California. I’m constantly releasing new music, in all sorts of different genres. You can listen to me below, on Spotify:

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UPCOMING SHOWS