Austin, Texas

S. Congress in Austin, Texas

Austin. Austin City Limits. Being within Austin City limits—literally, not so much the hit musical phenomena that encompasses and personifies the great city in which I speak. It’s magic. The city is pure spectral spectacle.

I would live here. I have a feeling I will live here.

Growing up playing music, I was entranced by stories of Stevie Ray Vaughan, and his brother Jimmie. Willie Nelson. Johnny Winter.

These days, you can find murals and statues that celebrate the music of Stevie Ray Vaughan. He died young, but he made a lasting impression on his adopted home of Austin, Texas—who lifted him on their shoulders in celebration of his music and his passion for the blues.

An acquaintance of mine in Long Beach (another musician), once shit all over the name Stevie Ray Vaughan, saying that he couldn’t stand that white horse shit that passes as blues. It bummed me out hearing him rant on a guy whom he never met… nor have I for that matter—however, I carry his spirit in reverence, much as I do Eric Clapton as well, for they helped to introduce me to wide variety of African American talent that contributed to years of truly authentic American Culture and American History. Yes, they were white: but, they loved black music and carried it in the deepest reverence and respect, which showed in their craft. Furthermore, they brought black music to me, a kid in Visalia, CA, who passionately researched who Stevie Ray Vaughan’s influences were, and then listened to them, hearing all the riffs he lifted from their repertoire: Albert King for example. You can listen to Albert King and hear his inarguable influence on the playing of Stevie’s.

Then again, what does a guy in Long Beach, CA know about Austin, Texas? What do I know about Austin, Texas for that matter? Nothing. That’s why I’m here. That’s why I keep coming back. I keep returning because the place is pure imagination and sorcery on my senses.

There are more music venues here than I have ever seen in my entire life. There is talent of such a caliber, that it constantly has me questioning not only my own merit as a musician, but also my sanity in continuing to create music as a songwriter—that is until I meet said musicians after they have proceeded in tearing my face of with their talent, and politely handing my facial features back to me at the end of the night: feeling their genuine sense of connection and intolerance for being overly vain insofar as it is concerned with themselves—their curiosity of my own music, their kindness in listening to it, and in showering me with compliments.

I was connected with a local musician and guitar player in the area named Phil Hurley. He is a Los Angeles transplant as well, who has been living in Austin Texas now for around 14 years. He has lived all over the place. He has played guitar for countless people of merit and distinction, and has operated within bands and musical acts who were signed to major labels, from an early age. We became quick friends and I am astounded by his talent and generosity.

He was kind enough to make time to meet with me, and to show me around a bit, to take me to some of the coolest hangs in town such as Donn’s Depot on a Monday night. There is a weekly residency that has been happening at this old venue, constructed from the remnants of 5 old train cars, nestled politely and sheltered within the entrance of tall tall buildings and sky scrapers. Chris Gage has been playing piano and singing there on Monday nights for nearly 27 years. Phil brought me down to Donn’s Depot, and shared me with the all of the wonderful folks who are a community. They haunt that establishment every week, and listen, in deep love, of what Chris Gage provides as a musician and pianist.

As we walked around these 5 train cars, everyone greeted Phil Hurley, as he was acquainted to nearly every individual in that place. Chris Gage recorded and produced his latest record, which is available to listen to right now on all the streaming services. Phil and Chris quickly began catching up with one another on one of Chris’ breaks from playing, and Phil asked if we both could come up and play a few songs, to which Chris was beyond receptive.


I met more beautiful and wonderful people in Donn’s Depot in one night, then can possibly be expressed in words—or good intentions for that matter. There are good people here in Austin, and Donn’s Depot is just a small subset of the greater whole that is this beautiful city. Don Emmons for example. A photographer and gentleman, and scholar. Or, the videographer Jay Curlee, who was a Hawaiian transplant—him and his wife both, who have been living in Austin now for 7 years. Don Emmons came from New Jersey, if memory serves me correctly (we were having drinks—quite a few of them).

Performing with Chris Gage at Donn’s Depot in October of 2022. Photo courtesy of the winker with an eye, Don Emmons.

A place is always the people who live there. Austin is exceptionally lovely.

Truth be told: most places I have the privilege to visit in order to play music, are exquisite and lovely—because they are full of good people who let a ragamuffin such as myself, stay and play some tunes he wrote about life. They listen to my stories. I am the luckiest man alive—and my brood (artists and musicians most specifically) are thankful for the love, gratitude, kindness, and open hearts being displayed by individuals who understand that we just travel around trying to spread some love. Sure, now and then, we all get a little lost sometimes—but love is most certainly the answer to nearly every quandary asked… and gratitude is the doorway to happiness… and happiness is work. It does not come easy to us. We work for it and we work at it.

A deep and special thanks to my friend Scott Spencer. He is an Austin native. I met him through my brother from another mother, Frank Reina. Both of these gentlemen are Texas natives. Scott, has shown me more kindness and support than I could ever hope to repay to an individual in a lifetime. Nonetheless, I hope to one day. I suppose the first step in that endeavor would be success at what I am trying to achieve. I will focus on that notion with all my might—and swing back to previous when I have more to offer this world than the love in my heart, the songs that I write, and the stories I tell. In the meanwhile, may those suffice my friend.

FIND ME ON SOCIAL MEDIA

Come see me live on my 2022 FALL TOUR around the UNITED STATES

Santa Fe, New Mexico | Santa Fe Brewing Co. & Desert Dogs Brewery

When in Rome—or Santa Fe, New Mexico for that matter. I had the pleasure of visiting with my friends Brenda and Dave here in Eldorado Santa Fe, New Mexico for the past several days, while playing a few shows at the local breweries Santa Fe Brewing Co. and Desert Dogs Brewery—the later of which shares the title of my newest album, being released July 11th 2023.

I met both Brenda and Dave while living in Long Beach, CA. They recently relocated here to Santa Fe, New Mexico after having visited here on several occasions. They have been making their dream home in a rural suburb of the greater Santa Fe area, nestled within the rolling hills of high desert, 7,000 feet above sea level. A future full of four seasons: sunshine, snow, the color of leaves changing—an atmosphere somewhat far removed from the daily life of those from Southern California. It’s own unique history and culture.

Red and Green Sauce, lovingly referred to as Christmas style Pozole. A spicy and delightful soup: pork, verde, hominy; a side of finely shredded cabbage, cilantro, diced red onions, and tortilla chips.. A perfect dish for cold, rainy, and dreary weather, which apparently swooped in with me, as I visited Santa Fe for my first (and hopefully not my last). Local residents assured me that the amount of rain they were experiencing currently was very much out of the ordinary, however, to me, a visitor, it felt nice and complimented my soup, my desire to wear a poncho, and my brand new hat.

Brenda and I shopped in the downtown area in which I found that perfect hat and poncho, almost immediately. It was a mission that I chose to accept, arbitrarily, as if it were necessary—and for all intensive purposes as far as I was concerned: it was.

Insofar as the gigs were concerned: bars are always hard. People are not necessarily there to see me specifically, so it’s an effort to find new ears and minds that enjoy what I do: to find new friends and to connect with them in a capacity in which we will see each other again in the future, whether that be through a mailing list or through a social networking service. This might mean that I need to warm people up with a few familiar covers, before politely asking if I might play a few of my own songs. I find that this works nicely. I also find the conversations after my set to be the most important part: this is when we have the opportunity to connect on a level that is meaningful.

I am up for the challenge and I welcome the opportunity for friendship. I am so immensely thankful for anyone who finds anything to like in my music.

I play Desert Dogs Brewery this evening from 8:30pm to 11:30pm.

Perhaps in some ways, I am a burro with a load of wood, waiting in the alley. In other ways, ways which are far more abundant: I am a free spirit, traveling where he pleases, making friends along the way, and enjoying every damn minute of it. I have been ruminating on the idea of purchasing an RV and getting rid of my apartment in Los Angeles. I am thinking about touring year round, seeing as much of the United States as possible and to play as many places as I possibly can. It sounds like a spicy proposition. It sounds like the life of a steamboat pilot, who as Mark Twain pointed out, were the freest people on the planet. I like being free. I like rowing my boat gently down the stream.

Merrily, merrily, merrily…

- Mike

PS

I met Brenda at 4th Street Vine in Long Beach, CA. She is a lovely lovely human being and I am thankful to know you. Congratulations to you and Dave on your dream home. May the blessing you desire be found in your new home. It’s a gorgeous and stunning place to live and I am so thankful to have had you open your home to me for a few days and to offer me the comforts of your place and your company in the future. My heart is full of gratitude.

Come see me live in the United States while I play out in October and November of 2022

Apache Junction, Arizona | Desert Valley House Concerts

Superstition Mountain

Where to begin? The question most of us might ask—then again, perhaps I am being presumptuous: some of us may not ask. Some may lack the interest. Others of us might just do, and forgo the asking aspect of things. Whatever the case may be, the beginning seems like a good place to start, so let’s arbitrarily work with that. After all, it’s the beginning of my Fall 2022 tour, so it seems the most logical place to begin.

In the beginning: I found myself in Apache Junction, Arizona. I’ve been here once before, however, it wasn’t a thorough affair. It wasn’t even a one night stand. It was one step away from a drive-by encounter—such as my experience with Phoenix, Arizona: a city I have only truly appreciated from a Freeway (which does not count for anything by anyone’s account). I played a show for the DESERT VALLEY HOUSE CONCERT series, and was immediately on my way home the next morning. I had been on the road for two months, and Apache Junction, was the last function of my multi-city-trans-state adjunction. I was on tour. That’s what I mean.

This time, as the fates would have it (not to mention my own insatiable curiosity) my kind hosts Darice and Lance offered to have me stay a few days to see Apache Junction and its natural splendor. Its Ghost Town: Goldfield.

Its Mountain Ranges, as barren and jagged and dangerous and unforgiving as its surrounding valley. History as seen through the eyes of various Native American tribes who inhabited this region. Superstition Mountain, observing from on high, the people of Apache Junction in their air-conditioned homes.

Goldfield Ghost Town was a wealth of photos. It was also 100 degrees outside. I met it somewhere in the middle and tried to give it a few hours of my time, as I was concerned that further investments might result in me melting, or spontaneous combustion: whichever comes first.

It felt as if I was spread, butt-naked on the hood of Goldfield’s automobile on a hot summer’s day—running on the assumption that it has an automobile. They for sure had a tractor. And a train for that matter. The later wasn’t functioning as they were waiting on a part to fix it. We’ll settle with me naked on a tractor. Fair enough? (And on that note, I bid ado to my male audience). I kid and promise to not hold your imagination hostage with naked insinuations that lead to mental perturbations over hot surfaces.

I am avid fan of all things old, and an even bigger fan of daydreaming about what it would be like to live in an era such as this. I can only imagine what people smelled like. The advent of a daily shower was not quite a staple of the residents of this centennial plus legacy. The occasional bath perhaps? That might even be an exaggeration. I let my mind wonder, along with my senses. I can always plug my nose while I do.

What I can say is that there were no shortage of air-conditioners in this ghost town.

… and I appreciate that. I was sunburned either way, but the cool air felt nice across my scorched person. Let’s not mince words: that was my fault. An intelligent-forward-thinking individual wears sunscreen. As I am none of those things, I wore my sunburn like a badge of ignorance, in the remnants of a ghosty village. People pointing and stating, “Look at the visiting village idiot.” I waved and kept that stupid smile across my face, nose plugged, thinking about bygones well past, absently. It’s easy to be happy on occasion, and this made me happy—that is until I felt the overwhelming urge to retreat back to Darice and Lance’s air-conditioned home for a nap. Am I the only one who feels as if the heat is a vampire of energy when the temperature is well near the surface of the sun? I would share a picture of me napping, but I haven’t the foresight for that either. The photograph is resting comfortably next to my sunscreen: unused and under-appreciated.

This small town had to be the constellation of a gold mine, and sure enough, there was a gold mine present. For $7 you can take a guided tour of this gold mine, but believe it or not, it was so hot outside, and I was so depleted of energy, that I couldn’t picture myself going down there on this occasion. I will probably regret that decision—more likely, I will probably revisit it in the future, as I have quite the fond fascination with the gold rush of the 1800’s, especially as it was recounted by Samuel Langhorne Clemens in “Roughing It.” Words will suffice where our eyes fail us, or more closer to the point as it pertains to me, where my drowsy eyes outweigh my curiosity. Which is not often, mind you.

A day of recovery was in order, so I spent most of the next day reading. My friend Darice with Desert Valley House Concerts told me, “You should read this book.” I have been gobbling it up like a hungry hungry hippo.

At the moment, it’s all I find myself wanting to talk about. So, what is the book about? It’s about Quantum Physics and reality. All of the discoveries made by the Quantum Physicists of the 1900’s and 2000’s. Tangible reality. Is this reality objective? Older sciences before Quantum Physics have never taken into account the role of consciousness into this equation.

We are not inactive observers of reality. We are simultaneously observing it and creating it. An analogy that is accurate, is reality being like a dream. As we sleep and experience the dream, we feel like merely a participant—however we are also simultaneously creating the dream we are experiencing subjectively.

Quantum Physics for the past 100 years has been finding this exists in our observation/creation of reality (The Universe).

An example: “The Double-Slit Experiment”

https://en.m.wikipedia.org/wiki/Double-slit_experiment

This and many subsequent experiments points to the direction that we are not and never will be independent entities in the Universe. We, in fact, live in a participatory Universe, whether we particpate or not. What does this mean?

Everything we do, or don’t do, alters that which is around us. Everything is probability, much like the second law of thermodynamics. A quantum computer, is a direct reflection of this notion.

It's a direct reflection of reality. It's more powerful as a computer because we are designing something that is closer to the function of nature. Probability. It takes into account as many possibilities as possible, and runs on this very notion.

It's like the second law of thermodynamics. Just because we have never seen a shattered glass move backwards into a solid form of un-shattered existence, does not mean that it can't happen. Quite the contrary. Mathematical probability shows us that it CAN exist, even if the probability of it is low.

A quantum computer is taking all possibilities into account, much as reality does, apparently. Probability wave.

I don't completely understand all of this—but this book is helping me to get a general sense of what quantum physics is.

It's both freedom and probability. That we are an active part of the Universe, whether we try to be or not. If you find this alarming to read. It’s okay. Einstein did too. He saw that is was real and how experiments such as the double-slit experiment verified these notions, and this is why he found it so hard to accept, as its very notion contradicted classical concepts of sciences. The very notion of science is to maintain a detached observation of reality around us, at least, in a traditional sense maintained over the corse of pre-existing efforts in understanding reality (The Universe).

It's like a dream. We feel like a participant in the dream while we sleep, but we are actually making the dream that we feel like we are along in the ride for! It's magic, in a sense. And reality: it functions the same way.

Nature only appears to be objective, to those who want to see it that way. If we realize that we are the active imagination of all probability, we realize we are actually not outside of the Universe, but helping it to become what it is at every moment, regardless of whether we try to or not. We simultaneously are spectator and creator, creating as we spectate, and spectating as we create.

The craziest thing, is that nature seems to reinforce whatever we “want” to see, speaking outside of the boundaries of quantifiable experimentation. If a group of persons wants to believe that they are outside The Universe, observing it in a cold and detached manner in a subjective stupor, feeling that their actions/inaction play no role in the constant creation, nature does not argue. It’s simply reinforces that possibility like a warm blanket.

If however, people take the time to really try to see that reality (The Universe) is probability, than they collectively realize that everything is a possibility, no matter the small nature of the number describing the probability of the action: i.e. a shattered glass becoming whole again before your eyes. That is real statistical analysis of a shattered glass. There exists the minute possibility of it becoming whole again.

In the words of the standup comedian Bill Hicks: “Young men on acid realize that all matter is merely energy condensed to a slow vibration—that we are all one consciousness experiencing our self subjectively. There is no such thing as death. Life is a dream, and we are the imagination of ourselves. Here’s Tom with the weather.”

And let there be no doubt, the weather didn’t disappoint. It’s the tail-end of monsoon season in Arizona. Micro-bursts are abound. They pickup patio furniture to great heights, only to drop them in places the owners of which might not agree with. I quickly helped Darice to collect her patio belongings under the confines of cover, to prevent mother nature’s exterior decorating options.

Chili was had. Conversation was abound. Discussions of a hike the next morning were agreed upon in the Usery Mountains above Mesa, Arizona.

Joe, one of Lance and Darice’s friends chose the location: Wind Caves. We made a morning of it.

It was a conjoined effort to remove my own naiveté in regards to Wind Cave, this Mountain Range, and it’s trail, in general. Specifically, I’m still pretty absent in so far as most other things are concerned—and it’s always great to know that Wind Cave was named aptly: plenty of wind and plenty of cave to go around (they both were very generous and we shared). Listening to these fellas both brainstorm a painting company in which the painters put the F.U. in Fun Home Renovation was my personal highlight to an already stunning view (not pictured).

However, the main reason I am here in Apache Junction is to play music—which was done. I done did that for Desert Valley House Concerts. We had a wonderful time. Exhibit A (good time):

As with most places, it’s not the place, its the people that make the place, and Apache Junction is no exception. Thank you Darice and Lance for making this such a lovely experience.

WHO IS MIKE VITALE?

I am a storyteller, singer, songwriter, music producer, traveling musician, Jungian dream analyst, all-around curious fellow (Spiritual, Mathematical Historical, Scientific), Taoist, and much much more, based out of Los Angeles, California. I’m constantly releasing new music, in all sorts of different genres. You can listen to me below, on Spotify:

SOCIAL LINKS

Come on out and see me play live in a city near you:

UPCOMING SHOWS

"Fool For You" has 18,000 plays on TikTok

Fool For You (Live at Studio 333) could go viral! What??

I have never had anything like this happen to me before. I recently joined TikTok, and a few days ago, I uploaded a brand new mix of a song that I wrote called "Fool For You (Live at Studio 333)". I had this really beautiful video footage that Damian Apunte filmed years ago, of the band and I playing the song live at my friend's recording studio.

I didn't have a lot of money at the time of filming that video, and so I decided to try and mix the audio myself. Long story short, the audio didn't turn out all that great. Fast forward five or six years later. I sent the audio off to my friend Ryan Lipman, to mix. This was during the pandemic. I had lots of time on my hands, and it had always bugged me, that the audio wasn't as good as the video footage. Well, let me tell you: Ryan fixed that problem. He sent me a gorgeous mix for the song.

I then proceeded to forget about that mix.

That bring us to three days ago. 

I was looking through my hard drive, and I found this mix that Ryan Lipman did. I took the existing video footage I have, threw that into Adobe Premiere Pro (a video editing program), and added Ryan's audio mix to this footage. It looks (and now it sounds) beautiful.

Instilled with this new confidence in the song, I posted it on TikTok. Two days later, it has 18,000 plus views. My follower count suddenly explodes. People are asking where they can listen to the song. It's been incredible.

I decided to re-release the song. It's now live on Spotify and Apple Music: the new mix of the song. I also re-uploaded it to Youtube:

These are small victories.

The song hasn't gone viral. It's just received more attention than I am used to—from a younger demographic. I am not accustomed to that, I suppose? It most certainly isn't unwelcome. It warms my heart and lends to me feeling the furthest from being antiquated: relevant. Special even?

For a short period of time, it feels special. I feel special (just a little bit—forgive me for that if it is an ugly thing).

Who knows what the future holds? Perhaps the song will continue this upward trajectory. Then again, perhaps it won't, and perhaps it will fall into obscurity once again.

Regardless, I am thankful for the new ears and new hearts and new brains that have found this song.

I make music to connect with people, and it feels really lovely to connect with new people. People who I have never met in person.

In all honesty, I hope and dream that it continues to gain momentum. I texted my aunt Doreen yesterday, to share with her that it was exploding on this platform. I told her that I had my fingers crossed that it goes viral. She said, "I'll pray for it. It's more reliable." I used to tell Doreen that I wanted to be an astronaut when I was a little kid—or a professional baseball player. And whatever it was, she always supported me. She is supporting right now in prayers. Prayers that it will go viral.

I hope that it does this because it's a good song. I truly believe in this song. I always have—seeing the reaction I receive from people when I play it live.

Here is a link to check it out on TikTok:

Click this image to find “Fool For You (Live at Studio 333)” on your favorite streaming service. The new mix by Ryan Lipman is now available on Spotify, Apple Music, Youtube Music, and every other streaming service you can think of.

You can also click this link below to find it on your favorite platform of choice to listen to good vibes:

https://songwhip.com/mikevitale/fool-for-you-live-at-studio-333



Additionally, here is a link to my latest release from 2021. It is a Country and Americana inspired collection of songs. The album is called Φ. It is available on all the major streaming services by either clicking the album cover to the right, or the link below:

https://songwhip.com/mikevitale/phi

I am thankful to have you all in my lives.

I am thankful to be touring in October and November of this year.
(You can see all my show dates here: https://www.bandsintown.com/mikevitale

I am thankful for all the people who have been contributing to this tour on my GoFundMe. Every little bit helps, and I hope you have been enjoying my newest album, DESERT DOGS (which I send when you contribute to it), before it gets released next year on July 11th 2023: https://gofund.me/7876a2cd

May you all cross your fingers for me, or pray, or carry me in your thoughts. Whatever suits your demeanor and life outlook. May this song soar, even if just for a little while, over small mountain ranges. May it see a small bit of what the world has to offer, and connect me with more folks than my wildest imagination could ever fathom.

- Mike


FALL 2022 United States Tour


Booking Southern United States Tour for October and November 2022

Some of the lovely folks who attended last year's Houston, TX performance.

Yes. I am booking a tour. A tour is being booked. I did it last year too. I did it before the pandemic. I’m gonna keep doing it because its fun.

I’m working on bringing my friend Chris out to play as a duo with me as well. Fingers crossed.

There is still a lot of booking to be done. My friend John in Houston has been helping me with the Houston, Texas area. That man is my spirit animal.

If you or anyone you know would like to help. By all means, please. I could use it. I am juggling a lot and anything and everything that pertains to booking would be of immense assistance.

I am looking to tour Arizona, New Mexico, Texas, Louisiana, Arkansas, Mississippi, Alabama, Tennessee, Georgia, Florida, South Carolina, North Carolina, Virginia, and perhaps some of the other peripheral states in the immediate vicinity of these listed.

Here are my current bookings as of today.

FALL 2022 U.S. TOUR DATES

As you can see, I still have a lot of booking work ahead of me. Small beginnings. I am making out with my laptop and home computer for most of the day; its got cold lips. We get a lot of face time these days.

Talk to me Goose.

Singles Release Show at Hotel Cafe Main Stage on Friday August 26th

The Hotel Cafe Main Stage

Hey Everyone,

I’m proud to announce that the band and I will be playing our first big show of 2022 at the Hotel Cafe main stage on Friday August 26th in celebration of three new singles I will releasing here shortly.

I would be deeply deeply honored to be surrounded by friends to ring in these new songs, before I leave to tour the United States again throughout October and November of this year. The tour booking is coming along nicely by the way. Here the dates I have scheduled thus far:

I would be honored to have you at Hotel Cafe to celebrate all the hard work I have been pouring into my music and its production, but also all the touring, promotion, management and booking I have been doing. I would be so thrilled to be surrounded by the people I love, hopefully with love in their hearts for me as well.

-Mike

Paul Simon on Creativity and Songwriting | The Subconscious Mind and Unconscious Contributions to Creativity

A while back, I had mentioned to you all that I feel that I sometimes write from the subconscious, and that I am not alone in that evaluation of my creative output. I went on to list a few artist names where I have heard or read them saying such in their own words.

And in all fairness, it is easy to say just about anything on this planet:

- I look great in this underwear.

- I'm a nice guy.

- I know what I am talking about

- I know what I am doing when I song write.

You name it. We as human beings can say anything: so it is important to cite our sources from time to time. So, as shown above: straight from the horse's mouth:

Paul Simon on Subconscious Writing: 29:44

Additionally, it is a different thing altogether though to be a student: and to not just be a student, but to realize that we are never a master. We are always the student. We have much to learn: always.

I have much to learn about songwriting, so I do research and I study. I have for years. I continue to.

I am a student. I love to learn.

We should treat each other as someone worth listening to—because I can guarantee you: no matter the individual, if you remain open, you will learn something from them: profound to the mundane.

I have a friend who's wife tells him that he is a shark.

What she means by that is, he must keep moving so that water flows through his creative gills, so that he may breath and stay alive. I understand what she means.

I too must constantly be moving, whether it is intellectually, creatively, physically, or any other type of movement you can think of, whether in the abstract sense or in the real real true true.

In one of the more poignant spots in this interview that took place in 1986, Mr. Simon talks about marketing—and how musicians primarily should be busy making music. It is unfortunate that in 2021, the trend of musicians is very much tilted towards marketing themselves. While there is nothing wrong with marketing per se, there is when it is 80% marketing and 20% self-reflection, creating, study, craft, practice, history, reading, poetry, listening, and so forth. We as artists must be mindful of this. If we do not remain mindful, we become out of balance—perhaps with ratios just described—but in other matters as well—some of which are far more detrimental, or any number of degrees proceeding such.

FOR SONGWRITERS, A FEW (but not exclusive) USEFUL TIMESTAMPS:

- 22:00 - Technique

- 22:38 - Interests and Technique

- 26:45 - 12 Notes of the Chromatic Scale

- 27:45 - Instruments and their Importance in Creativity

- 28:00 - Rhythmic Writing vs. Melodic Writing

- 29:44 - Subconscious Writing

Another book that I own that has been invaluable to me is "Songwriters on Songwriting" by Paul Zollo.

This whole interview is a blessing to watch, as is that book just mentioned. We learn from the kindness of those who share.

Lots of love y'all!

I'm heading to the store to pick up some gardening supplies.

- Mike

WHO IS MIKE VITALE?

I am a storyteller, singer, songwriter, music producer, traveling musician, Jungian dream analyst, all-around curious fellow (Spiritual, Mathematical Historical, Scientific), Taoist, and much much more, based out of Los Angeles, California. I’m constantly releasing new music, in all sorts of different genres. You can listen to me below, on Spotify:

SOCIAL MEDIA LINKS

UPCOMING SHOWS

"Satin Doll" | Arrangement by Joe Pass

Boy oh boy. Am I a horrendous jazz musician. I’ve been trying to chip away at improving this deficiency over the past 10 years or so, but to be completely honest, I haven’t made much headway—and that’s okay: it’s just for the fun of it. It’s a hobby. Most of what I’ve been doing is trying to treat music as a language, and learning some of the lexicon of jazz musicians that I admire. This is the A Section of Satin Doll as arranged by Joe Pass. There is so much to playing jazz, and these are some small baby steps I’ve made.

Thank you to everyone on Patreon for your encouragement and support: https://www.patreon.com/mikevitalemusic


If I Only Had a Brain - Harry Connick Jr., Harold Arlen, Yip Harburg

oz__the_straw_man_collab_by_jerome_k_moore-d1eaz4k.jpg

I just got done taking a master class from a young Harry Connick Jr.. I’ve been working on transcribing his version of “If I Only Had a Brain” from the album 20. In my own humble opinion, it’s a masterpiece, and I cried the first time I accidentally listened to it. I was so moved by its grace, that I knew I needed to learn it and sing it.

It’s a beautiful piece of music to begin with, but Connick’s use of chord substitution is pretty cool and sophisticated—he also creates some beautiful tension in his chord voicings, using many terse intervals such as m2 and M2 in his chord inversions, which are my favorite. Lots of suspensions. I learned a lot. I learned too much. Still trying to absorb the information. Bottom line, it just sounds boss (in a very touching and emotional manner), despite all the bullshit jargon I just prattled off: that’s what I’m after. That’s what I got.

I did my own thing with it and deviated from his arrangement as I saw fit.

I recorded the vocals using an AT4033 and SM57 on the guitar amp. If you dig it, please like the video and subscribe to my Youtube Channel. The support is invaluable and deeply appreciated.

The song was also recently added to streaming services:

https://distrokid.com/hyperfollow/mikevitale/if-i-only-had-a-brain

Most importantly, thank you to everyone on Patreon for helping me to make these videos