If I Only Had a Brain - Harry Connick Jr., Harold Arlen, Yip Harburg

oz__the_straw_man_collab_by_jerome_k_moore-d1eaz4k.jpg

I just got done taking a master class from a young Harry Connick Jr.. I’ve been working on transcribing his version of “If I Only Had a Brain” from the album 20. In my own humble opinion, it’s a masterpiece, and I cried the first time I accidentally listened to it. I was so moved by its grace, that I knew I needed to learn it and sing it.

It’s a beautiful piece of music to begin with, but Connick’s use of chord substitution is pretty cool and sophisticated—he also creates some beautiful tension in his chord voicings, using many terse intervals such as m2 and M2 in his chord inversions, which are my favorite. Lots of suspensions. I learned a lot. I learned too much. Still trying to absorb the information. Bottom line, it just sounds boss (in a very touching and emotional manner), despite all the bullshit jargon I just prattled off: that’s what I’m after. That’s what I got.

I did my own thing with it and deviated from his arrangement as I saw fit.

I recorded the vocals using an AT4033 and SM57 on the guitar amp. If you dig it, please like the video and subscribe to my Youtube Channel. The support is invaluable and deeply appreciated.

Most importantly, thank you to everyone on Patreon for helping me to make these videos

Between the Bars by Elliott Smith

elliott_smith___speed_paint_by_rodrigoelven1.jpg

I had a friend and guitar student many years ago that first introduced me to Elliott Smith. I had heard of Elliott and his music several times from different people, and this friend was the one I finally listened to, caved, and bought everything that he had released at that point.

You know come to think of it, I look back on a lot of my friend’s recommendations, and smile, because they all have remained in a special location of my own heart. He turned me on to D’Angelo too.

However it was immediately apparent listening to Elliott’s music that he was a wounded and struggling soul, who carried around so much burden—but he did what makes any artist truly special: he/she become the voice of those who can not quite eloquently articulate his/her emotions or feelings.

The man struggled with addiction, and this song, from as far as I can tell, is about being an addict, seduced by a bottle of alcohol, like a lover. Powerful words and heart in this tune. He reduced me to tears the first time I heard it back in 1998 or so, having no idea what the song was about.

As always, thank you to all of the Patreon supporters who are helping and allowing for me to make videos such as this one, along with all the material I have released this year. 2018 has been the best year yet in terms of the amount of music I released. I will try to do better for 2019.

If you are an active Youtube user, please feel to give me a like and subscribe to my channel, if you dig what you’re hearing. The support means a great deal to me.

Live at The Hotel Cafe on September 20th 2018

Hey Friends!

Tom Bremer and I are going to be playing an acoustic duo set on the Hotel Cafe main stage this Thursday September 20th 2018 at 7pm. We’re playing in support of the incomparable Matt Andersen who is out on tour. We would be thrilled to have you there.

Advanced tickets are available on the Hotel Cafe website. Here is a link to purchase:

https://www.hotelcafe.com/tickets/?s=events_view&id=7958

If you have never had the opportunity to hear Tom and I play together, this would be the perfect opportunity for you to do so. We have been playing together now for several years and used to play quite frequently together at LAX, in the Bradley Terminal for international travel passengers.

Tom is the second guitar player on most of my acoustic album I released in May of this year called EMPTY CIRCLE:

http://smarturl.it/lvmdy2

Here is a video we did last week together. It’s a cover of The Grateful Dead classic “Friend of the Devil.”

I hope this finds you all in good spirits (I’m personally in pajamas) and that we might be able to share some vibes with you on Thursday night at 7pm.

- Mike

Side-Tracked

I am the master of getting side-tracked.

I was doing something else (learning a song)—and now I’m doing this. I accidentally slipped and fell into my blog.

You may be thinking: “this dude has a short attention span.” But, then again, I just wrote that in quotations, so you must have said it out loud. I’d fix it—but I’m not the boss of you. None of this is really the case, anyway.

I blame my smart phone, and in that sense, I take full responsibility for the rest of this.

I’m a cyborg in 2018 with an augmented intelligence, collectively referencing the world wide web on a whim, or more to the point, interrupted by reminders set on my calendar, because at some point, I thought it was important to be reminded. That’s how I ended up here.

I was working on “Come Pick Me Up” by Ryan Adams, and then my phone got all nosey about what I should be doing (paying bills) versus what I am/was doing (fun stuff). The fear associated with late fees took me by the hand and walked me over to my computer, and the rest, is written

(Xzibit A):

Unknown.jpeg

Not as much as you think Xzibit. I drive a Honda Civic—but I like the way you think, moreover, I like how you overthink thoughts. We’re like ships passing in the night… with cars on it.

My bills are paid on time. And I got a blog out of it. I also found some pictures of Xzibit. If you would have asked me yesterday, what I was doing right now, I never would have guessed it. I wonder what Xzibit is doing right now. I hope he is putting cars inside of cars, if it makes him happy. Sure, it’s a meme, but why not just take it at face value?

Good morning! (I made it just in time for noon).

- Mike

New Single "The Needle of the Human Race" on August 30th 2018

My latest single "The Needle of the Human Race" will be available at all digital distribution locations on August 30th 2018.  You know the drill:  Spotify, Apple Music. iTunes, Google Play, Amazon, iHeartRadio, Deezer, Soundcloud, Bandcamp—all the places.

This was one of the first mixes I had completed from Patreon backers.  A special thank you to all of these people for whom of which this is all happening, because of you and your belief: Erik Gomez, Fernando Gallegos, Heather Renz, Amy Armitage, Austin, Bob Emerson, Bridget Mackiewicz, Carey Brown, Carson Fonseca, Fern Rouintree,  Brenda Matea, Ashley Thom, Jake, Janet Woodward, JayPee, John Sinambal, Joshua Jon Day, Judy and Jody Timmerman, Kelly McDonald, Lex, Matt Vitale, Megan Kaplinsky, Ron Feldman, Sarah Lim, The Luna Eclipse, Tim Grobaty, Yeggi Watts.

The song was mixed by Jon O'Brien at Music Box Studios in Fullerton, CA.  I recently had it mastered by Mark Chalecki and his amazing attention to detail that I admire a great deal.

A big thank you to all of my friends that played on this song.  Frank Reina on drums and Scott Dibble on Keys.  Most of all, thank you my friend Dave Gonzalez who played bass on this tune.  God bless him.  He passed away before having the opportunity to ever hear this song, completed—it breaks my heart to say that—it hurts even more to know that he is gone.  Then again, perhaps people such as Dave never really die, or are gone—they simply become music.  I will lean in that direction with tears in my eyes and a smile on my face.

A big thank you to my friend Ryan C Jones for the cover photo of this song.  If I remember correctly, he shot this photo on his phone.  You are such a gift Ryan and I am deeply appreciative of you, your talent, and your kindness. 

For anyone interested in Pre-Saving the song on Spotify, simply click the image above and it will put you in a place to do that.

Most of all, thank YOU (the person reading this) for finding interest in me and the music I'm making.  You validate my life and efforts.

OC Weekly Write-Up on Me

Mike Vitale 0001

Oh shit, I'm in the newspaper, mom.

Nate Jackson with OC Weekly and OC Weekly Music, did a write up on me and it goes to press next week.  However, it was released today, online.

Here is a link to read the full article if you're interested in doing such:

https://www.ocweekly.com/mike-vitales-life-hacks-as-a-working-musician-are-starting-to-pay-off/

The article explores my recent activities using the live streaming app Periscope to broadcast my shows from home and from gigs that I am playing around town.

I also talk about how I am using Patreon to crowdsource my music releases.  I've had a steady stream of new music releases since May of this year.  My new single No Vacancy is available everywhere you listen to music, so feel free to check it out.

Dune, Absurd Dating Advice, and Paypal

IMG_7461.jpg

How to get all the ladies:

Step 1:  Strike up conversation about the book Dune.  

How to not get frustrated being on hold with Paypal due to fraudulent account activity:

Step 1: Write non-detailed blogs regarding absurd dating advice while being on hold for two hours in order to redirect your attention to something other than your frustration with someone hacking into your Paypal account and reeking havoc on other people's lives (namely mine)—not to mention being on hold for an absurd amount of time with Paypal.

On-Hold Music:

"With Paypal you can send money from your checking, savings, and..."

"Did you know you can get 2% cash back..."

"Did you know you can now complete your purchases with one click..."

I hope that your morning is far more exciting than mine.

New Single NO VACANCY released today!

Hey Everyone,

I just released a new full band single today called "No Vacancy."

Here is a link to find the song on your favorite listening platform:

http://smarturl.it/tx0xoc

It is available everywhere.  You name it.  You can listen to it there.

 

For your convenience, you can also just visit my NEW SINGLE page here on this website:

https://mikevitalemusic.com/new-single/

You can also click the album cover and it will take you to a landing page for several of the popular haunts to listen to new music (i.e. Spotify, Apple Music, etc).

Thank you to Frank Reina, Brad Cummings, Tom Bremer, Scott Dibble, Ryan Lipman, and Mark Chalecki for making art with me.

THANK YOU to everyone on Patreon for your help in releasing this new material.  I mean this with all my heart:  I can't do it without you (I tried).  This is working: what we are dong together.  I am more prolific as an artist than I have been in years because of your financial help. I have been releasing something constant and consistent every month since May 2018, because of you.

I want to take a second to thank all of these individuals especially for their continued contributions and help:  Erik Gomez, Amy Armitage, Fernando Gallegos, Heather Renz, Brandi, Bob Emerson, Joshua Jon Day, Carey Brown, and Tim Grobaty.

If you like this song, thank you.  It came from my heart.  It is my life.

 

 

Periscope Schedule

Don't let the title fool you. This post has nothing to do with my Periscope live stream schedule for the next three days:

Friday July 27th 2018 - Parker's Lighthouse in Long Beach - 6pm to 9pm

Saturday July 28th 2018 - Lil' Simmzy's in El Segundo - 5:30pm to 8:30pm

Sunday July 29th 2018 - Sol Cocina in Newport Beach - 12pm to 3pm.

https://www.pscp.tv/mikevitalemusic/1YqKDQVZEaoGV

Nope. Let's talk about me doing pushups.

That's right. I do pushups. Now you may be asking yourself, self, why is Mike doing pushups?  It's a valid question—and there could be a lot of answers—like, maybe I'm training to become a male cat model for cat food commercials.  Sure, I might not be attractive enough for human consumption, but—I think I have what it takes to really dominate the cat market in food commercials. I'm gonna have the physique (working on it). I mean, come on. Look at this pushup regimen:

Monday - Lots of pushups

Tuesday - Lots of pushups

Wednesday - even more pushups

Etc.

I hate the taste of cat food, but I'll get used to it.

Glue some whiskers on my face and I'll curl up on your lap.

Meow.

- Mike

Context

IMG_7446.jpeg

Believe it or not, this picture has plenty of context.  

I'd go so far as to say that the contents of its context either completely disinterest you or you would be off-base in your assumptions, so I'll save you the mental abstraction exercise.

I did it for the beard.

That's right. 

But not in the way you think.

Let's call this picture "Mike Vitale Versus the Tuna Sandwich".

Does that help?  Probably not.

I was mid-bite... and it was a delicious tuna sandwich from Whole Foods on a cibatta—cohabit, chibatta... Seriously?—Ciabatta roll (fuck you auto correct—I win, this time—why is ciabatta such a weird word to spell—okay, fuck you Italians), but that's not the point.

Do you give up?

I was using my cell phone as a mirror to make sure I wasn't storing leftovers in my facial hair.

Win/Win for everyone but the Tuna Fish.  

Hi from Laguna Beach, CA.  We had a lot of fun playing at The Cliff last night.  

New Single NO VACANCY on Tuesday July 31st 2018

Artwork by Joshua Jon Day and Mike Vitale

Artwork by Joshua Jon Day and Mike Vitale

I'd say I'm dropping new music—but it's more like a drip—from a broken water faucet. 

I'm releasing a new full band single called NO VACANCY on Tuesday July 31st 2018.  It will be available for streaming as well as digital purchase that day on all your favorite music streaming haunts: Spotify, Apple Music, Amazon, Google Play, Youtube, Soundcloud, iHeartRadio, etc.  AND if you are a really amazing person who still buys music (bless your heart) you will be able to purchase it as well on iTunes, Bandcamp, Google Play, Amazon, and every other digital retail location that is known to man.

In all honesty, this is one of my favorite songs that I have written and produced with friends.  It turned out really lovely and I am so very thankful to have had such a wonderful cast of musicians who helped to flesh out the arrangement:  Frank Reina on drums, Brad Cummings on bass, Scott Dibble on rhodes piano, and Tom Bremer on electric guitar.  A song is only as good as the people you have playing on it and I am very fortunate to be surrounded by all these beasts of badassery.

The song was mixed by Ryan Lipman and mastered by Mark Chalecki.  Thank you guys for making this sound so beautiful and pristine.  I am in awe of your talent.

Artwork was done by myself and my friend Joshua Jon Day.  I took the photograph and he helped me fashion a fabulous album cover out of it.  I really find these old neon signs to be so beautiful.

I make no allusions of being a phenom when it comes to new releases.  I cross my fingers that songs will connect with people and they will share.  This song is no exception.  However, I do try to do my part to find avenues of exposure for songs such as this.  Spotify recently started a submission process for playlists on unreleased songs, and I submitted this tune for their consideration.  Keep your fingers crossed that the curators find something to like in this song and select it for many a playlist.

Most importantly, thank you to everyone on Patreon who helps me to release this new material.  I mean this with all my heart:  I can't do it without you (I tried).  This is working: what we are dong together.  I am more prolific as an artist than I have been in years because of your financial help.  I want to take a second to thank all of these individuals especially for their continued contributions and help:  Erik Gomez, Amy Armitage, Heather Renz, Brandi, Bob Emerson, Joshua Jon Day, Carey Brown, and Tim Grobaty.

My deep and sincere gratitude for letting me do what I love to do: make music and play it.

Record Store Day Performance - Youtube

Here is a live video of me performing my song TIME MACHINE in Long Beach, CA.  This was an In-Store performance on Record Store Day, April 21st 2018, at Dyzzy on Vinyl.

If you dig it, please help me share the video!  Thanks to our very own Megan from here on Patreon, for capturing the footage and sharing it!  

If you dig this, you can find more by visiting my Youtube Channel here:  http://youtube.com/mikevitalemusic

Mike Vitale and Tom Bremer play guitar and sing—at the same time! (in Long Beach)

Mike Vitale 8659.JPG

TODAY (Wed June 20th 2018), before our circus act later in the evening—the one where we put my head in the mouth of a live tiger—Tom and I will attempt the impossible: "to sing and play guitar together, at the same time, while broadcasting on Periscope, at a Holiday Inn, in Long Beach, in the penthouse restaurant THE VUE, while reading a 1980's issue of Penthouse magazine." All of this will be performed in front of a live audience, who does not care. Come. Drink. Don't care with us, together. Because, people who don't care, together, really don't give a shit, together—with a GREAT view of Long Beach.

Here is an event invite. Don't look at it though. Okay, you can look at it:  https://www.facebook.com/events/593984740986747/

We'll be playing songs from my new album EMPTY CIRCLE. Here are links to various streamlining services and digital distribution outlets to get your feet muddy with Mike and Tom. Make sure take off your shoes before you come in the hou... damn you. Look what you just did to the carpet??!

http://smarturl.it/lvmdy2

The Nerve (Live at The Mint) - Mike Vitale and The Chemicals

Guess what?! We played a release show last week for my new single “Gone” at The Mint in Los Angeles. It was a fun night! Not everyone could make it out, so our very own Megan from here on Patreon, took some really awesome footage, that I will be sharing over the coming weeks. This is the first of many—it was also the first song of the night. It’s called The Nerve. It’s a tune about my feelings. Please know, I am so very appreciative of everything that y’all do. Taking the time to record footage like this, and sharing it, means more to me than I can properly express in words. You’re propagating the things I am writing and making—and also affording me the opportunity to use $5 words like, propagate. My deepest gratitude. Now, excuse me while I watch my laundary. Someone took my clothes out of the drier earlier and used my quarters to dry their clothes, because they are cunning creatures full of creative ways to use other people’s quarters.

Mike Vitale - Professional Selfie Taker For Hire

IMG_7206.JPG

As you can see, I’m a professional selfie-taker.  I’m an expert at making myself look like a moron.  Exhibit A.  Now, I know what you’re thinking, and the answer is yes, I WILL take your selfies for you too—for a nominal charge.  Music is... fine, but I need to diversify my efforts, and I’m doing that by starting with what I’m good at: taking selfies.  Oh, totally off subject, I’m playing a show tonight with Marcus Von Rittberg, Laure Z, and Benji Has at The Mint in Los Angeles.  You can grab tickets here:

https://www.ticketfly.com/purchase/mobile/index/1704495?utm_medium=destination&utm_source=eventbrite&skinName=tfly 

But let’s not focus on that; let’s focus on me taking your selfies, for a nominal fee.  Bring your mom tonight to The Mint.  I’ll take a selfie of her too.

Lowering My Expectations

What is happiness?

It's a complicated question if you think about it.  We've all thought about it at one time or another.

Ironically, the times we think the least on it, are probably when we're the happiest?  But then again, I don't know—the older I get, the more I realize I don't know anything.  I'm just throwing spaghetti at the wall like everyone else around me.

However, I have caught myself expecting way too much, too often.

Simple things.  Like, if I buy expensive things such as Air Conditioners, Sub Woofers, Guitar Pedals—can they not break?  It ridiculous to think that they won't.  Of course they are going to break, and they are going to do it when I am hurting for money and can not afford to replace them.

It almost becomes a mental focus exercise regarding what to pay more attention to: the things that make one sad, or the things that make one happy.  The seemingly level-headed person will immediately say something full of wisdom like, "focus on the positives rather than focus on the negatives."  I say, most likely, that the person who says that cries alone in their bedroom, or in their car, from time to time too.

No.  Maybe I need to lower my expectations.

I released a new single called GONE on June 12th.  I have sold two copies of it digitally.  It's two more than I was expecting to sell.  The song has been streamed on Spotify 15 times.  That is 15 more times than what I was expecting.  

This is a start.  I'll keep you posted.  Or, then again, maybe I won't, so that it isn't on the forefront of my mind.  

Whatever the case may be, I am making and releasing more stuff.  I'm 39 years old and I have no plans to stop making music or to stop trying to find people that like what I make.  You can count on that.

I'm happiest when I'm working hard, regardless of my expectations—and I am so grateful and thankful for my good health and to have you.  Deeply and truly.  Now, off to promote for a show tonight.  Take care. 

GONE now available on Spotify, Apple Music, and all Digital Retails Locations

Today is the big day!  I have been working on releasing new music, that I produced myself, with the help of some very talented musician friends:  Frank Reina, Brad Cummings, Tom Bremer, and Anthony Castiglia.  Much of the audio was captured by either myself or Frank Reina.  The mix was done by Ryan Lipman and the mastering was handled by Mark Chalecki. Artwork is by Alper Yesiltas.

In all honesty, it has taken way too long to release this music.  On the flip side, I'm not exactly rolling in the dough, either.  Thanks to my friends on PATREON and to saving up their contributions, I was able to release this tune as well as prepare several more that I will hopefully be releasing in rapid succession (once a month) over the course of this year.  This is the first on many.

Here is a link to find several of the places where you can either purchase or stream this song:

We will be celebrating the release of this song on THURSDAY JUNE 14th at THE MINT in Los Angeles.  The show starts at 9:30PM.  My friend Marcus Von Rittberg will be performing a set at 9:30pm and I will be playing a set with Frank Reina on drums, Tom Bremer on electric guitar, and Paul Jones on bass at 10:30pm.  Tickets are available in advance for $10 here:  

June 14th 2018 - The Mint 6010 W. Pico Blvd. Los Angeles, CA.  Music starts at 9:30PM.

Thank you to everyone for their kindness, love, and support.  I am deeply appreciative of the positive vibes and energy.

- Mike